What orphans sailed over teacherous seas, and through African lands of man-eating lions, to end up with unthinkable fortunes? Who were the "Greatest Big-Game Hunter" and the "Flying Sikh?"

One of the towering classics of twentieth-century French literature, Phantom Africa is a singular and ultimately unclassifiable work: a book composed of one man's compulsive and constantly mutating daily travel journal--by turns melodramatic, self-deprecating, ecstatic and morose--as well as an exhaustively detailed account of the first French state-sponsored anthropological expedition to visit sub-Saharan Africa. In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the 'secretary-archivist' for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. Leiris, while maintaining the official records of the mission, documenting the team's acquisitions and participating in the research, also kept a diary where he noted not only a given day's activities and events but also his impressions, his states of mind, his anxieties, his dreams and even his erotic fantasies. Upon returning to France, rather than compiling a more conventional report or ethnographic study, Leiris decided simply to publish his diary, almost entirely untouched aside from minor corrections and a smattering of footnotes. The result is an extraordinary book: a day-by-day record of one European writer's experiences in an Africa inexorably shaded by his own exotic delusions and expectations on the one hand, and an unparalleled depiction of the paradoxes and hypocrisies of conducting anthropological field research at the height of the colonial era on the other. Never before available in English translation, Phantom Africa is an invaluable document. If the book is 'a stone marking a bend on a path that is entirely personal', as Leiris himself described it years later, it is also a book whose broad canvas bears witness to the full range of social and political forces reshaping the African continent in the period between the World Wars.

The motivation for the writing of this book came, according to the author, from a desire to bring to life the skeletons, heads, and skins of various exotic animals to be forund in museums and collections far from their land or life and origin. He wished to show them in their natural environments, still posessed of their strtength, beauty and energy.

This first book in the reissue of the original Avon pocket books tells the story of the childhood and adolescence of the twenty-first Phantom. His father, the twentieth Phantom, regales the reader and young Kit Walker of the men who came before him: the fighter who beat Redbeard the Pirate, while gaining the heart of Queen Natala; the harrowing actions that the twentieth Phantom took to regain the friendship of the Rope People, and many more stories. In this opening to the series, we also meet Diana Palmer the love of the Phantom, the woman who always can count on the Phantom to rescue her, even before he becomes The Ghost Who Walks. This thrilling beginning shows the man behind the mask, as Kit and Guran, his confident and friend, embark on the first of many adventures.

What’s hiding in the woods? Here is the definitive account of today’s nationwide sightings of upright, canine creatures – which resemble traditional werewolves – and a thorough exploration of the nature and possible origins of the mysterious beast. “She has the ability to send chills up and down your spine.” —Brad Steiger, author of Real Ghosts, Restless Spirits, and Haunted Places “If you thought the likes of The Wolfman, The Twilight Saga: Eclipse, and Underworld had no basis in fact, it's time to think again!” —Nick Redfern, author of There's Something in the Woods “Real Wolfmen is a riveting work of amazing scope and depth. You’ll be hooked from the first page.”--Rosemary Ellen Guiley, author of The Encyclopedia of Vampires and Werewolves The U.S. has been invaded – if many dozens of eyewitnesses are to be believed – by upright, canine creatures that look like traditional werewolves and act as if they own our woods, fields, and highways. Sightings from coast to coast dating back to the 1930s compel us to ask exactly what these beasts are, and what they want. Researcher, author and newspaper reporter Linda S. Godfrey has been tracking the manwolf since the early 1990. In Real Wolfmen she presents the only large-scale cataloguing and investigation of reports of modern sightings of anomalous, upright canids. First-person accounts from Godfrey’s witnesses – who have encountered these creatures everywhere from outside their car windows to face-to-face on a late night stroll – describe the same human-sized canines: They are able to walk upright and hold food in their paws, interact fearlessly with humans, and suddenly and mysteriously disappear. Godfrey explores the most compelling cases from the modern history of such sightings, along with the latest reports, and undertakes a thorough exploration of the nature and possible origins of the creature.

With an introduction by award-winning novelist Barbara Kingsolver In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce the population by half. . While he did all this, he carefully constructed an image of himself as a deeply feeling humanitarian. Winner of the Duff Cooper Prize in 1999, King Leopold’s Ghost is the true and haunting account of this man’s brutal regime and its lasting effect on a ruined nation. It is also the inspiring and deeply moving account of a handful of missionaries and other idealists who travelled to Africa and unwittingly found themselves in the middle of a gruesome holocaust. Instead of turning away, these brave few chose to stand up against Leopold. Adam Hochschild brings life to this largely untold story and, crucially, casts blame on those responsible for this atrocity.