Combining strength with intricacy, the typography of the 19th century is at once functional and fanciful, as displayed in this wonderful sampling of Victorian styles: the exaggerated thicks-and-thins of Express and Barnum typefaces; the unusually detailed serifs of Lafayette characters; the extravagant flourishes of Renaissant, Houghton, and Campanile; the swashes and eye-catching dot motifs of Hogarth and Gutenberg. Typographer and printing historian Dan X. Solo offers this outstanding collection of appealing, highly usable Victorian typefaces that will add a distinctive, old-fashioned flair to design solutions. These attractive letterforms will show their whimsical old-time personality in articles and newsletters, posters and packaging, display ads, signage, and innumerable other graphic projects. And every style is royalty-free. Presented in 24-, 36-, and 48-point fonts, each of the eight exquisite faces includes complete uppercase alphabet, numerals, and punctuations; all but one are designed with lowercase characters, too. Crisp printing on one side only on glossy, repro-quality stock means you can cut and combine characters directly from the book.

Artists, crafters, and designers will rejoice in 100 unusual and authentic Victorian type fonts. Plain and decorative alphabets include Calliope, Buffalo Bill, Shaded Barnum, Fargo, Jackpot, and Burlesque. Styles range from bold Bohemia and Broadside to delicate Aeolian Open and Arboret. Many include lowercase letters and numbers, plus Victorian printer's ornaments.

Ideal for bringing an old-timey charm to newsletters, posters, display ads, and other graphic projects, this spectacular sampling of 24 Victorian typefaces includes such distinctive fonts as Stereopticon, Chorus Girl, Glorietta, Hogarth Antique, Jagged, Romanesque, Rubens, and Wedlock. All of these black-and-white typefaces include complete uppercase alphabets, numerals, and punctuation; most feature lowercase characters.

1460 motifs from Porret s Type Catalog (1840): people, landscapes, military, alphabets, cartouches, more. "

The Victorian woman put initials on nearly every piece of linen and clothing she owned ? everything from handkerchiefs and blouses to tablecloths, napkins, and towels. The modern needleworker may not be quite so avid about initialing everything, but initials and monograms are still attractive and popular ways of decorating common items. This book brings you a large selection of alphabets, initials, monograms, and common names from Godey's Lady's Book and Peterson's Magazine, the most popular American women's magazines of the Victorian era. Each is available in a variety of letter forms, so that you may find the most suitable for your sewing needs: scripts, floral, geometric, Old English, block, ornamental, and many more. Although eminently usable for embroidery, there are also a number of alphabets for crochet and needlepoint. You will find these motifs of the highest quality ? both easy to use and productive of professional-looking results. For traditional embroidery and sewing needs, these alphabets, monograms, and names are ideal but you will also find them applicable to a number of modern uses: for decorating blue jeans and hats, for patches, and even a variety of non-sewing needs.

Comprehensive compilation of elegant, imaginative two-letter monograms — ideal for enhancing scrolls, certificates, awards, and other graphic projects in need of calligraphic excitement. Easily reproduced, royalty-free letters are also perfect for use in art, needlework, craft and other decorative projects.

From anemone to zinnia, the author provides patterns for an alphabet of flower designs along, with instructions for making pillows, wall hangings, a panel for a mirror, a layette basket, a project folder and many others.