Explores the meaning and politics of place (Roebuck Plains) through Aboriginal narratives, songs, conversations, photographs and paintings, together with European historical, geographic and geological knowledge; linked by a series of explanatory, exploratory and analytical essays on history, anthropology, critical theory and painting; interview with Peter Yu, NAC representative.

When in the course of childhood events, it becomes necessary for one (small) person to create a separate and equal hiding spot to which the laws of growing up entitle them, the truth will be self-evident: they should declare their very own country! Full of tongue-in-cheek instructions— Make your own flag.Your own currency.Your own laws. —this picture book offers a hilarious lesson in junior civics that shows every budding future-president exactly how he or she can create a very special place all their own.

Demonstrates the diversity of the African continent by describing daily life in some of its fifty-three nations.

'A brilliant, unlikely book' Spectator How can we celebrate, challenge and change our remarkable world? In 2012, the world arrived in London for the Olympics...and Ann Morgan went out to meet it. She read her way around all the globe's 196 independent countries (plus one extra), sampling one book from every nation. It wasn't easy. Many languages have next to nothing translated into English; there are tiny, tucked-away places where very little is written down; some governments don't like to let works of art escape their borders. Using Morgan's own quest as a starting point, Reading the World explores the vital questions of our time and how reading across borders might just help us answer them. 'Revelatory... While Morgan's research has a daunting range...there is a simple message- reading is a social activity, and we ought to share books across boundaries' Financial Times

'One of those enthusiasts whose enthusiasm is hard to resist . . . Always beguiling' Daily Mail 'Hugely inspiring even when it is most bonkers' Sarah Bakewell, New Statesman 'A combination of almanac, commonplace book and diary, this is a tasty oddity . . . Richly entertaining' Independent As the pandemic has caused us all to re-evaluate our lives, becoming more self-reliant and dwelling in closer harmony with nature have emerged as important priorities. Many of us have decided to up sticks and leave the city behind for a less frenetic existence in the country. Whether you've already made your move, or are dreaming of doing so one day, this is the book for you. Covering beekeeping, poultry rearing, pig farming, bread-making, wood-chopping, fire-laying, bartering and much more, How to Live in the Country is the perfect source of inspiration for old hand and beginners alike: useful, informative but also refreshingly honest and realistic. Tom Hodgkinson draws on the wisdom of an eclectic range of thinkers and writers as he guides us through each month of the year, giving lists of tasks for both garden and animal husbandry, offering tips and shortcuts, and weaving in stories about his own experience of raising a young family in rural Devon.

A NEW YORK TIMES BEST SELLER • The moving story of an undocumented child living in poverty in the richest country in the world—an incandescent debut from an astonishing new talent • A TODAY SHOW #READWITHJENNA PICK In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is “illegal” and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly “shopping days,” when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center—confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.