The papers of this volume highlight the intellectual and literary contribution of Michael Psellos (1018-after 1081?) by offering readings of his original texts from a variety of scholarly perspectives.

Michael Psellos has long been known as a key figure in the history of Byzantine literary and intellectual culture, but his theoretical and critical reflections on literature and art are little known outside of a small circle of specialists. Most famous for his Chronographia, a history of eleventh-century Byzantine emperors and their reigns, Psellos also excelled in describing as well as prescribing practices and rules for literary discourse and visual culture. The ambition of Michael Psellos on Literature and Art is to illustrate an important chapter in the history of Greek literary and art criticism and introduce precisely this aspect of Psellian writing to a wider public. The editors of this volume present thirty Psellian texts, all of which have been translated - some in part, most in their entirety - into English. In the majority of cases, the works are translated for the first time in any modern language, and several are discussed at length here for the first time. They are grouped into two separate sections, which roughly translate to two areas of theoretical reflection associated with the modern terms 'literature' and 'art.'0.

This book explores Michael Psellos' place in the history of Greek rhetoric and self-representation and his impact on the development of Byzantine literature. Avoiding the modern dilemma that vacillates between Psellos the pompous rhetorician and Psellos the ingenious thinker, Professor Papaioannou unravels the often misunderstood Byzantine rhetoric, its rich discursive tradition and the social fabric of elite Constantinopolitan culture which rhetoric addressed. The book offers close readings of Psellos' personal letters, speeches, lectures and historiographical narratives, and analysis of other early Byzantine and classical models of authorship in Byzantine book culture, such as Gregory of Nazianzos, Synesios of Cyrene, Hermogenes and Plato. It also details Psellos' innovative attention to authorial creativity, performative mimesis and the aesthetics of the self. Simultaneously, it traces within Byzantium complex expressions of emotion and gender, notions of authorship and subjectivity, and theories of fictionality and literature, challenging the common fallacy that these are modern inventions.

This chronicle of the Byzantine Empire, beginning in 1025, shows a profound understanding of the power politics that characterized the empire and led to its decline.

The Letters of Psellos is the first detailed study of the correspondence of Michael Psellos, a preeminent Byzantine intellectual, politician, and writer. Structured in two parts, it juxtaposes five essays offering detailed historical and literary analyses of selected letters with annotated summaries of the entirety of Psellos' correspondence.

This book is a philosophical interpretation of Michael Psellos' Chronographia, an acknowledged masterpiece of Byzantine literature. Anthony Kaldellis argues that although the Chronographia contains a fascinating historical narrative; it is really a disguised philosophical work which, if read carefully, reveals Psellos' revolutionary views on politics and religion. Kaldellis exposes the rhetorical techniques with which Psellos veils his unorthodoxy, and demonstrates that the inner message of the text challenges the Church's supremacy over the intellectual and political life of Byzantium. Psellos consciously articulates a secular vision of Imperial politics, and seeks to liberate philosophy from the constraints of Christian theology. The analysis is lucid and should be accessible to anyone with a general knowledge of Byzantine civilization. It should interest all who study the history of ancient and medieval philosophy.

This book contains the works that Psellos wrote about his family, including a long funeral oration for his mother that features unique recollections from a childhood spent in Constantinople; a funeral oration for his young daughter Styliane, which includes a detailed description of her physical appearance and a moving account of her illness and death; a legal work pertaining to the engagement of his second, adopted, daughter; and various letters and other works that relate to the private life of this Byzantine family.