Examines literary, philosophical, and cultural influences on Mahler's thought and work from the standpoint of the composer's position in German-Jewish culture.

Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Following Mahler’s every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. Why Mahler? is a book that shows how music can change our lives.

Recollections of Mahler written in 1936 by the composer's assistant conductor in Hamburg and at the Vienna Opera, plus Ernst Krenek's biographical sketch of Mahler and a new Introduction.

Theodor W. Adorno goes beyond conventional thematic analysis to gain a more complete understanding of Mahler's music through his character, his social and philosophical background, and his moment in musical history. Adorno examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia. Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original. Theodor W. Adorno (1903-69), one of the foremost members of the Frankfurt school of critical theory, studied with Alban Berg in Vienna during the late twenties, and was later the director of the Institute of Social Research at the University of Frankfurt from 1956 until his death. His works include Aesthectic Theory, Introduction to the Sociology of Music, The Jargon of Authenticity, Prism, and Philosophy of Modern Music.

__________________________ 'Fascinating ... Haste paints a portrait of a woman who was born to triumph, not surrender' - Harper's Bazaar 'Written in elegant, lucid prose ... a treasure trove of European cultural riches and scandalous intrigue ... Compelling' - Economist 'Lively, well illustrated and enjoyably juicy' - Miranda Seymour, Financial Times __________________________ The life of an extraordinary artist and intellect: the composer, author and socialite Alma Mahler, whose life spanned one of the most captivating and dramatic periods in history Alma Mahler was once at the epicentre of Vienna's artistic and intellectual life. A talented composer in her own right, she was open, generous, remarkably creative, curious, challenging and zealous in her pursuit of love. Artists, architects, musicians and writers jostled to join her coterie. Gustav Klimt was her first kiss; Gustav Mahler her first husband. But her life was haunted by tragedy, and the support and inspiration that Alma gave to the men she loved came at the heavy price of her own artistic fulfilment. Drawing extensively on previously unpublished diaries and letters, Cate Haste illuminates the passionate spirit of one of history's most complex and charismatic muses, a modern woman with an elemental vitality that could scarcely be contained by her century – who will live forever in the art she created and inspired.

This magnificent collection of essays by scientist and National Book Award-winning writer Lewis Thomas remains startlingly relevant for today’s world. Luminous, witty, and provocative, the essays address such topics as “The Attic of the Brain,” “Falsity and Failure,” “Altruism,” and the effects the federal government’s virtual abandonment of support for basic scientific research will have on medicine and science. Profoundly and powerfully, Thomas questions the folly of nuclear weaponry, showing that the brainpower and money spent on this endeavor are needed much more urgently for the basic science we have abandoned—and that even medicine’s most advanced procedures would be useless or insufficient in the face of the smallest nuclear detonation. And in the title essay, he addresses himself with terrifying poignancy to the question of what it is like to be young in the nuclear age. “If Wordsworth had gone to medical school, he might have produced something very like the essays of Lewis Thomas.”—TIME “No one better exemplifies what modern medicine can be than Lewis Thomas.”—The New York Times Book Review

This “thrilling study of Gustav Mahler’s Symphony No 8 . . . makes a strong case for its quality . . . we shall never listen to it in the same way again” (Guardian, UK). On September 12, 1910, Gustav Mahler’s Eighth Symphony had its world premiere at Munich’s new Musik Festhalle. It was the artistic breakthrough for which the composer had yearned all his life. An array of royals and stars from the musical and literary world were in attendance, including Thomas Mann and the young Arnold Schoenberg. Also present were Alma Mahler, the composer’s wife, and Alma’s longtime lover, the architect Walter Gropius. In The Eighth, Stephen Johnson provides a masterful account of the symphony’s far-reaching consequences and its effect on composers, conductors, and writers of the time. The Eighth looks behind the scenes at the demanding one-week rehearsal period leading up to the premiere—something unheard of at the time—and provides fascinating insight into Mahler’s compositional habits, his busy life as a conductor, his philosophical and literary interests, and his personal and professional relationships. Johnson expertly contextualizes Mahler’s work among the prevailing attitudes and political climate of his age, considering the art, science, technology, and mass entertainment that informed the world in 1910. The Eighth is an absorbing history of a musical masterpiece and the troubled man who created it.