Personal adornment, as an extension of the body, is a crucial component in social interaction. The active process of adorning the body can shape embodied identities, such as social status, ethnicity, gender, and age. As a result of its dynamic and performative nature, the body can often convey meaning more powerfully and convincingly than verbal communication. Yet adornment is not easily read and does not necessarily reflect actual lived experience. Rather, bodily adornment, and the performances that accompany it, can be manipulated to conceal or exaggerate reality, thus speaking more to identity discourse. The interpretation of such discourse must be grounded in an understanding of the context-specific and negotiable nature of adornment. The essays in this volume, which are united by their focus on material and visual evidence, cover a broad chronological and geographical span, from the ancient Near East to Roman Britain, and bring together innovative scholarly work on adornment by an international group of art historians and archaeologists. This attention to the archaeological evidence makes the volume a valuable resource, as those working with material or visual culture face unique methodological and theoretical challenges to the study of adornment.

Flash is fading fast as Canvas continues to climb. The second edition of this popular book gets you started with HTML5 Canvas by showing you how to build interactive multimedia applications. You’ll learn how to draw, render text, manipulate images, and create animation—all in the course of building an interactive web game throughout the book. Updated for the latest implementations of Canvas and related HTML5 technologies, this edition includes clear and reusable code examples to help you quickly pick up the basics—whether you currently use Flash, Silverlight, or just HTML and JavaScript. Discover why HTML5 is the future of innovative web development. Create and modify 2D drawings, text, and bitmap images Use algorithms for math-based movement and physics interactions Incorporate and manipulate video, and add audio Build a basic framework for creating a variety of games Use bitmaps and tile sheets to develop animated game graphics Go mobile: build web apps and then modify them for iOS devices Explore ways to use Canvas for 3D and multiplayer game applications

Hair, or lack of it, is one the most significant identifiers of individuals in any society. In Antiquity, the power of hair to send a series of social messages was no different. This volume covers nearly a thousand years of history, from Archaic Greece to the end of the Roman Empire, concentrating on what is now Europe, North Africa, and the Near East. Among the key issues identified by its authors is the recognition that in any given society male and female hair tend to be opposites (when male hair is generally short, women's is long); that hair is a marker of age and stage of life (children and young people have longer, less confined hairstyles; adult hair is far more controlled); hair can be used to identify the 'other' in terms of race and ethnicity but also those who stand outside social norms such as witches and mad women. The chapters in A Cultural History of Hair in Antiquity cover the following topics: religion and ritualized belief, self and society, fashion and adornment, production and practice, health and hygiene, gender and sexuality, race and ethnicity, class and social status, and cultural representations.

Explores the epistles’ reception history and their effects in sermons, music, art, literature, and politics over time 1, 2 Peter and Jude Through the Centuries considers three small epistles which are often overlooked in controversial discussions of theology, culture, art, music, politics, and literature. This book offers fresh perspectives on the epistles’ effects in numerous theological and cultural contexts such as slavery, the role of women in marriage, the nature of Christology, and how believers should relate to the government. Author Rebecca Skaggs traces the reception history of 1 Peter, Jude, and 2 Peter and investigates the texts’ effects on diverse doctrinal, social and political issues. Their influence on artists, musicians, dramatists and literary writers is explored, especially the Doctrine of the Descent of Christ into Hades. Each chapter includes an overview of central issues and topics, a selection of ancient readings with interpretations and a brief survey of modern scholarship on the subject. Illuminating how readings vary across historical periods and interpretive communities, this book: Traces the multi-faceted contributions of 1 and 2 Peter and Jude to theological discussions Provides a sampling of the kinds of effects available from each of the texts in various contexts Shows how the epistles engage in the discussions and controversies of the Medieval Ages Offers discussions of the epistles’ contributions to doctrinal debates on the inspiration of scripture and how to respond to heresy in the church Features detailed treatment of topics such as Christ’s visit to the spirits in prison, the dispute between Michael and Satan over Moses’ body and the final judgment by fire Features commentary from a leading scholar in New Testament Studies and Christian Theology Offering enlightening essays and new approaches, 1, 2 Peter and Jude Through the Centuries is an ideal book for anyone interested in the rich contributions of these epistles, such as Biblical and Theological Studies students, and pastors looking for original insights on reception material.

The Hellenistic courts and monarchies have in recent years become one of the most intensively studied areas of ancient history. Among the most influential pioneers in this process has been the American historian Elizabeth Carney. The present book collects for the first time in a single volume her most influential articles. Previously published in a range of learned journals, the articles are here re-edited, each with a substantive Afterword by the author bringing the discussion up to date and adding new bibliography. Main themes of this volume include Macedonian monarchy in practice and as an image; the role of conspiracies and violence at court; royal women; aspects of court life and institutions.

A Companion to the Archaeology of Religion in the Ancient World presents a comprehensive overview of a wide range of topics relating to the practices, expressions, and interactions of religion in antiquity, primarily in the Greco-Roman world. • Features readings that focus on religious experience and expression in the ancient world rather than solely on religious belief • Places a strong emphasis on domestic and individual religious practice • Represents the first time that the concept of “lived religion” is applied to the ancient history of religion and archaeology of religion • Includes cutting-edge data taken from top contemporary researchers and theorists in the field • Examines a large variety of themes and religious traditions across a wide geographical area and chronological span • Written to appeal equally to archaeologists and historians of religion

The past two decades have witnessed a proliferation of scholarship on dress in the ancient world. These recent studies have established the extent to which Greece and Rome were vestimentary cultures, and they have demonstrated the critical role dress played in communicating individuals’ identities, status, and authority. Despite this emerging interest in ancient dress, little work has been done to understand religious aspects and uses of dress. This volume aims to fill this gap by examining a diverse range of religious sources, including literature, art, performance, coinage, economic markets, and memories. Employing theoretical frames from a range of disciplines, contributors to the volume demonstrate how dress developed as a topos within Judean and Christian rhetoric, symbolism, and performance from the first century BCE to the fifth century CE. Specifically, they demonstrate how religious meanings were entangled with other social logics, revealing the many layers of meaning attached to ancient dress, as well as the extent to which dress was implicated in numerous domains of ancient religious life.