Her illustrated memoir in her Cultural Heritage Art style, captures her fonder memories of her childhood memories she experienced growing up as a young girl in orphanages and a foster home in Australia, although not all of her memories were good ones she shares with you some of her better memories, her child like innocence the things she experienced in nature and plants, Divine Cosmic Cellular Healing Meditation Technique, as well as her coping technique she developed as a young girl. I don't think I would ever of made it if I didn't find it in my heart to learn to be nice and forgive the abusers and never giving up hope that one day things would get better and that I would be in a better place in time, she never experienced what it would be like to be loved and raised by a loving mother and father and brothers and sisters in a loving home but God had his hand on my shoulder and helped me through it and to come up from down under today to be the Australian Aboriginal Artist she is today. Carmel is a descendant of the Kabi Kabi Tribe on Sunshine Coast Queensland Australia her Great Great Grandmother is Queen Maria of Childers Queensland, although she was not raised by her Cultural Heritage it wasn't until coming to America that she met her mentor Lt Col PeHoda in the USMC a Cultural Heritage Specialist Anthropologist and Archeologist who taught her about my Cultural Heritage, I would not be painting the Australian Aboriginal Art today or writing this book if it were not for her. Carmel has always wanted to help other Indigenous People who are Survivors of Intergenerational Trauma, she understands today that the treatment was the same that the. Indigenous children went through as young children in Native American Boarding schools here in the United States, Canada, and Australia as well, some of us made it some of us did not and today we know what happened to the Indigenous children who did not survive in those places. Today Ms. Middletent is the founder of First Nations Wellness Project 501c3 a First Nations Healing Arts Coalition International, to help inspire other survivors of Intergenerational Trauma towards their Healing Journey on the Road to Recovery whether it be through storytelling, writing, singing, dancing, arts and crafts, ceremonies, music, as all Indigenous People we know that practicing our Cultural Heritage is a way to recover and heal from our wounds. Ms. Middletent designed a collection of her Healing Flower Art paintings in her Cultural Heritage Art Style, and designed her Coping Technique she developed as a young girl in the foster home and her Meditation Technique and donated them to The First Nations Wellness Project to a virtual art gallery for other survivors of Intergenerational Trauma to visit, to see and feel their Healing through Ms. Middletent Healing Art Flowers. Ms. Middletent hopes to inspire other Indigenous survivors of Intergenerational Trauma to write and paint their story as well. Please visit www.firstnationswellnessproject.org or write to First Nations Wellness Project 501c3 Po Box 1211 Twentynine Palms, CA 92277

“I had spoken from the depths of my heart; I had spoken what love had taught me. These were words that echoed within every corner of my soul, rightfully belonging to my one favourite person—Manusha. As I moved across the wave of newly made fans at the book launch, I could only smile with a streaming film of teardrops. I imagined him standing by the door, looking back at me and breaking into a double dimpled smile like he always did. Before I could immerse myself in his memory, the imaginary image faded away as reality sunk in. The world continues to revolve on its axis, yet his and mine are completely different and separated. I know we had set forth in perpendicular paths, with chances of crossing destinies shimmering like the dying sparks of a final flame. Now, only hope remains, hoping that the universe will conspire for us to meet once again. Just so I can scream that no matter how far life had destined my journey, my heart and soul will only belong to him, my one true home, then, now and forever.”

Nietzsche famously regarded Thus Spoke Zarathustra as his greatest work. However, despite Nietzsche's pervasive influence upon the philosopher and non-philosopher alike, and his own intense regard for Zarathustra, there has been relatively little serious study of Nietzsche's magnum opus. This book seeks to address this gap in the available literature by taking Thus Spoke Zarathustra seriously, not only with respect to its impact on the interpretation of Nietzsche's philosophy, but also in light of the broader questions of the relationships between poetry, philosophy and existence. Fifteen leading Nietzsche scholars examine the structure, method, style and sources of Zarathustra as a philosophical text and its relationship to methodological and metaphilosophical questions amid the broader discussions of philosophy. The book also explores the implications of the philosophical questioning, interventions and teachings of Zarathustra with respect to both its negative engagement with the tradition and its attempt to set forth something new under the sun in its affirmative overcoming of nihilism.

5 lectures, Cologne, Dec. 28, 1912 - Jan. 1, 1913 (CW 142) 9 lectures, Helsinki, May 28 - June 5, 1913 (CW 146) 1 lecture, Basel, Sept. 19, 1912 (CW 139) This combination of two volumes in Rudolf Steiner's Collected Works presents Steiner's profound engagement with Hindu thought and, above all, the Krishna in the Bhagavad Gita as they illuminate Western Christian esotericism. In his masterly introduction, Robert McDermott, a longtime student of Rudolf Steiner, as well as Hindu spirituality, explores the complex ways in which the "Song of the Lord," or Bhagavad Gita, has been understood in East and West. He shows how Krishna's revelation to Arjuna --a foundation of spirituality in India for more than two and a half millennia --assumed a similarly critical role in the Western spiritual revival of the nineteenth and twentieth centuries. In the West, for instance, leading up to Steiner's engagement, McDermott describes the various approaches manifested by Emerson, Thoreau, H.P. Blavatsky, and William James. In the East, he engages with interpretations of historical figures such as Mahatma Gandhi and Sri Aurobindo, relating them to Steiner's unique perspective. In addition, and most important, he illumines the various technical terms and assumptions implicit in the worldview expressed in the Bhagavad Gita. The main body of The Bhagavad Gita and the West consists of two lecture courses by Rudolf Steiner: "The Bhagavad Gita and the Epistles of Paul" and "The Esoteric Significance of the Bhagavad Gita." In the first course, his main purpose is to integrate the flower of Hindu spirituality into his view of the evolution of consciousness and the pivotal role played in it by the Mystery of Golgotha --the incarnation, death, and resurrection of Jesus Christ. Steiner views Krishna as a great spiritual teacher and the Bhagavad Gita as a preparation, though still abstract, for the coming of Christ and the Christ impulse as the living embodiment of the World, Law, and Devotion, represented by the three Hindu streams of Veda, Sankhya, and Yoga. For Steiner, the epic poem of the Bhagavad Gita represents the "fully ripened fruit" of Hinduism, whereas Paul is related but represents "the seed of something entirely new." In the last lecture of part one, Steiner reveals Krishna as the sister soul of Adam, incarnated as Jesus, and claims Krisha's Yoga teachings streamed from Christ into Paul. In the second lecture course, five months later, Steiner engages the text of the Bhagavad Gita --on its own terms --as signaling the beginning of a new soul consciousness. To aid in understanding both of these important cycles, this book includes the complete text of the Bhagavad Gita in Eknath Easwaran's luminous translation. In our age, when East and West are growing closer and we live increasingly in a global, intercultural and religiously pluralistic world, this remarkable book is required reading. The Bhagavad Gita and the West is a translation of two volumes in German: Die Bhagavad Gita und die Paulusbriefe (CW 142) and Die okkulten Grundlagen der Bhagavad Gita (CW 146). The lecture in the appendix is translated from Das Markus-Evangelium (CW 139) and was published in The Gospel of St. Mark (Anthroposophic Press, 1986).

Giving Birth to New Beginnings, is basically about giving birth to new beginnings through the works of faith; in ones or many lives to bring about changes in their lifes spiritually and naturally. Characters inside the book talks and pray about their trials and tribulations what they went through and how God allowed them to be born of his spirit and not of the flesh. All of the characters have sacrificed themselves as offerings to the Lord on the alter, by praying with an interception in the spirit. As well, they have released their duty of the flesh in order to gain the duty of the spirit. The duty of the flesh suits man, but the duty of the spirt suits the Lord. Through the nostrils of the Lord he smelled the characters characteristics of their prayers and allowed them to be born of his spirit. Each character demonstrates their characteristics how they laid out on the alter, waiting upon the Lord to receive birth in the spirit.