Kansas City, 1935. Emmett Whelan, an idealistic county prosecutor who has left behind his Irish roots and married into the country club set, takes on the city's corrupt political machine when he investigates the brutal murder of a black musician. As Emmett probes the case, he discovers the city's underbelly of racism and criminality. His personal life deteriorates. The closer he gets to the heart of the corruption, the more he sees that it is deeper and closer than he has ever suspected. And when the truth unfolds - about the killings, the machine, Emmett's wife - a surprising and devastating climax reverberates at every level of the city. Reach the Shining River is an urban crime drama about money, race, and class. Tense and full of memorable characters, it has the smell of a big river, the atmosphere of 1930s America, and a soundtrack that is pure jazz and blues.

Soon to be a major motion picture starring Ewan McGregor! From master storyteller Stephen King, his unforgettable and terrifying sequel to The Shining—an instant #1 New York Times bestseller that is “[a] vivid frightscape” (The New York Times). Years ago, the haunting of the Overlook Hotel nearly broke young Dan Torrance’s sanity, as his paranormal gift known as “the shining” opened a door straight into hell. And even though Dan is all grown up, the ghosts of the Overlook—and his father’s legacy of alcoholism and violence—kept him drifting aimlessly for most of his life. Now, Dan has finally found some order in the chaos by working in a local hospice, earning the nickname “Doctor Sleep” by secretly using his special abilities to comfort the dying and prepare them for the afterlife. But when he unexpectedly meets twelve-year-old Abra Stone—who possesses an even more powerful manifestation of the shining—the two find their lives in sudden jeopardy at the hands of the ageless and murderous nomadic tribe known as the True Knot, reigniting Dan’s own demons and summoning him to battle for this young girl’s soul and survival...

One of the things that makes Fred Craddock's sermons so compelling is his masterful use of storytelling, but, until now, few of his stories have ever been published. This collection offers for the first time hundreds of Craddock stories told in his own words and a glimpse of his life.

Five Million Tides is the story of Cornwall's Helford River from the Stone Age to the dawning of the twenty-first century. From prehistoric pioneers and their megalithic successors, this account goes on to expose a remarkable truth: the Helford became one of Europe's most significant waterways during the Iron Age and Roman periods. Despite being mainland Britain's southernmost safe haven, it has not always been a place of good fortune – once a thriving seat of Celtic Christianity the river would ultimately become more synonymous with lawless seafarers. Nor could it be relied upon for sanctuary from every storm, as the graves of mariners in its village churchyards attest. Although now overshadowed by its more famous sibling estuaries, the Helford is an enigmatic beauty of the family whose rich past deserves wider knowledge.

Sometimes when we look back, we are able to see ahead Following her mother’s funeral, and on the verge of her own midlife crisis, widow Anna Larson returns to the home of her youth to sort out her parents’ belongings, as well as her own turbulent life. For the first time since childhood, Anna embraces her native heritage, despite the disdain of her vicious mother-in-law. By transforming her old family home on the banks of the Siuslaw River into The Inn at Shining Waters, Anna hopes to create a place of healing—a place where guests experience peace, grace, and new beginnings. Starting with her own family . . . “Melody Carlson painted a serene and unforgettable sense of place that came alive with shimmering waters, one woman’s dream, life-changing wisdom, and characters I care about ... I’m seriously hooked on the series!" -- Kathy Herman, author of Secrets of Roux River Bayou Series and the Sophie Trace Trilogy "Melody Carlson's River's Song eased through me gently layer by layer, deeper and deeper. This story of re-awakening or renewal appears deceptively simple but wields great emotional power. I look forward to book 2 in The Inn at Shining Rivers series." Lyn Cote, Author of Her Abundant Joy "In River’s Song, Melody Carlson beautifully tells a generational story of a family living alongside the banks of Oregon’s Siuslaw River. Told with sensitivity and insight the story includes a Native American thread, deals with issues of abuse, and weaves an ending full of redemption and grace. I can’t wait to read the next novel in the series!" Leslie Gould, Beyond the Blue and co-author of The Amish Midwife and The Amish Nanny, with Mindy Starns Clark

A gorgeous new centennial edition of Ernest Hemingway’s landmark short story of returning veteran Nick Adams’s solo fishing trip in Michigan’s rugged Upper Peninsula, illustrated with specially commissioned artwork by master engraver Chris Wormell and featuring a revelatory foreword by John N. Maclean. "The finest story of the outdoors in American literature." —Sports Illustrated A century since its publication in the collection In Our Time, “Big Two-Hearted River” has helped shape language and literature in America and across the globe, and its magnetic pull continues to draw readers, writers, and critics. The story is the best early example of Ernest Hemingway’s now-familiar writing style: short sentences, punchy nouns and verbs, few adjectives and adverbs, and a seductive cadence. Easy to imitate, difficult to match. The subject matter of the story has inspired generations of writers to believe that fly fishing can be literature. More than any of his stories, it depends on his ‘iceberg theory’ of literature, the notion that leaving essential parts of a story unsaid, the underwater portion of the iceberg, adds to its power. Taken in context with his other work, it marks Hemingway’s passage from boyish writer to accomplished author: nothing big came before it, novels and stories poured out after it. —from the foreword by John N. Maclean