This book describes and explores the linguistic metaphors used by architects to assess design solutions in building reviews, and the conceptual mappings that motivate them. The genre perspective adopted throughout the work offers a view of figurative language that considers its use in the discussion of architectural topics in a real communicative situation involving specific participants, clear rhetorical goals and recognisable textual artefacts. The book thus combines a genre approach to texts with a cognitive view of metaphor. It further aims to restore as the centre of attention the linguistic and textual aspects of metaphor as an instrument of both cognition and communication. The theoretical implications of the applied cognitive approach to metaphor adopted in the book are twofold. First, a situated description of how metaphor is used in a particular genre provides rich detail about its rhetorical potential. The second important contribution made by this study is to provide a fuller account of image metaphor, a type of mapping which is very salient in this particular genre. The weight given to visual metaphors in architectural discourse allows a fuller consideration of the cognitive and communicative import of a class of metaphor often regarded as marginal or ad hoc in cognitive linguistics, and the book thus contributes to a better understanding of this phenomenon in the context of a genre characterised by its concern with the visual aspects of architectural design. In this sense, the empirical data offered by a particular research methodology contributes to theory formation, and will prove of interest to cognitive linguists as well as to discourse analysts or genre researchers.

"This is an ambitious analysis of television studies as a whole." --Library Journal Focusing on U.S. television of the 1980s--from Miami Vice, Moonlighting, and Pee-wee's Playhouse to Max Headroom--Lynne Joyrich explores how gender affects the reception of television. She traces how the medium has been chracterized as "feminine" and then turns to the television shows themselves and analyzes a range of genres and forms.

This book provides a useful guide for researchers, reviewers, and consumers who are charged with judging the quality of qualitative studies.

This book reviews and recasts many popular ideas, using an ecological perspective, ecological design principles and ecological thought experiments.

This interdisciplinary book explores design theories, combining research from a range of fields including architecture, landscape architecture, urban planning, urban design, industrial design, software engineering, environmental psychology, geography, anthropology, and sociology. Following an extensive review of the current literature, the author reveals eight major types of theory in design processes. The theories are classified as follows: Rational vs. Empiricist Theories, Procedural vs. Substantive Theories, Normative vs. Positive Theories, Design Scopes, Designers vs. People, Form and Space Creation Paradigms, Efficient Tools and Sources in the Design Process, and Place vs. Non-Place Theories. The respective design theories are illustrated with diagrams, tables and figures, condensing the content of over 140 essential theoretical texts that address various aspects of design processes. Given its scope, the book will appeal to undergraduate and graduate students, and to researchers and practitioners in design, urban planning, urban design, architecture, art, etc.

In Reviewing the Covenant, six Jewish philosophers—and one Christian colleague—respond to the work of the renowned Jewish theologian Eugene B. Borowitz, one of the leading figures in the movement of "postmodern" Jewish philosophy and theology. The title recalls Borowitz's earlier book, Renewing the Covenant: A Theology for the Postmodern Jew, in which he lent this movement a theological agenda, and the essays in this book respond to Borowitz's call: to revitalize contemporary Judaism by renewing the covenant that binds modern Jews to re-live and re-interpret the traditions of Judaism's past. Together with the introductory and responsive essays by Peter Ochs and Borowitz himself, the essays offer a community of dialogue, an attempt to reason-out how Jewish faith is possible after the Holocaust and how reason itself is possible after the failings of the great "-isms" of the modern world. This dialogue is conducted under the banner of "postmodern Judaism," a daunting term that by the end of the book receives a surprisingly direct meaning, namely, the condition of disillusionment and loss out of which Jews can and must find a third way out of the modern impasse between arrogant rationalism and arrogant religion. Representing a major intellectual response to the leading theologian of liberal Judaism, the book provides a significant indication of future directions in Jewish religious thought. Contributors include Eugene B. Borowitz, Yudit Kornberg Greenberg, Susan Handelman, David Novak, Peter Ochs, Thomas W. Ogletree, Norbert M. Samuelson, and Edith Wyschogrod.

Public space, both literally and figuratively, is foundationally important to political life. From Socratic lectures in the public forum, to Occupy Wall Street and the Arab Spring, public spaces have long played host to political discussion and protest. The book provides a direct assessment of the role that public space plays in political life.