This volume investigates a broad range of structural connections between PThis volume investigates a broad range of structural connections between Pío Baroja's early fiction and the novels of his contemporaries in England and Ireland, with prominence given to Joseph Conrad, Thomas Hardy, E. M. Forster and James Joyce. Starting from the premise that Spain has been neglected in studies which assess the evolution of the European novel at the turn of the twentieth century, and challenging the insular concept of the 'Generation of 1898', the author reassesses the relationship between Baroja and English literature. Particular emphasis is given to renderings of consciousness, the role and identity of the artist, European landscapes, and questions of form, genre and representation in the novels under scrutiny. The book produces new readings of Baroja in the context of early twentieth-century English fiction.

Pío Baroja is a product of the intellectual reign of terror that went on in Spain after the catastrophe of 1898. That catastrophe, of course, was anything but unforeseen. The national literature, for a good many years before the event, had been made dismal by the croaking of Iokanaans, and there was a definite défaitiste party among the intelligentsia. But among the people in general, if there was not optimism, there was at least a sort of resigned indifference, and so things went ahead in the old stupid Spanish way and the structure of society, despite a few gestures of liberalism, remained as it had been for generations. In Spain, of course, there is always a Kulturkampf, as there is in Italy, but during these years it was quiescent.

This site brings together information on the author's life, also provides access to some fragments of his works, and a gallery of pictures. In Spanish.

Mapping Minor/Small and World Literatures: Periphery and Center makes a declarative intervention in debates about world literature, redefining the boundaries between the center and periphery to rejuvenate long-established assumptions about significance and insignificance. In this book, African American literature (emerging from the often overlooked pink periphery, a cramped space of minor literature), works from the Faroe Islands, Basque literature, First Nation Canadian literature, Western narratives about peripheral China, Kurdish literature, the ultraminor literary space of Antigua, the 'favela' of Brazilian literature, as well as the hyperlocal narratives of Australian and New Zealand literature are all studied for their meaningful role within the world literary system. Additionally, working-class writing and the literary contributions of individuals on the margins of their own societies are given a voice, ensuring that the world literary space does not merely represent the perspectives of dominant elites. Unlike other descriptions of world literature, which have frequently allowed the grandeur and breadth of the global to overshadow the imperative for authentic literary biodiversity, this anthology, featuring contributions from diverse scholars representing various countries and backgrounds, actively deconstructs the structures of power and domination inherent in Western-European-centered world literature, minor literature, and small literature.