Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.

This book presents a critical analysis of the images of China portrayed in British television documentaries between 1980 and 2000. The examination is contextualized within the profound transformations of the post-reform China and global political structures in the last two decades of the 20th century. Using an innovative analytical framework based on Vladimir Propp, the book focuses on how different images of China are constructed through an effective use of TV narrative strategies. In particular it details how various strands of (Western) modernity underpin major discourses about China. The book will be valuable to the understanding of how China was perceived in the West during one of the most dramatic moments in modern history.

Charmaine A. Nelson analyzes not only how, where, why and by whom black female subjects have been represented in Western art, but also what the social and cultural impacts of the colonial legacy of racialized western representation have been. She poses critical questions about the contexts of production, the problems of representation, the pathways of circulation and the consequences of consumption.

This book provides a critical investigation into the discursive processes through which the North Atlantic Treaty Organisation (NATO) reproduced a geopolitical order after the end of the Cold War and the demise of its constitutive enemy, the Soviet Union.

Volume contains: (Goldsmith v. T. & G. Assets Realization Corp.) (Matter of Goldstein v. Bleiberg Plumbing Supplies, Inc.) (Good Humor Corp. v. City of N.Y. & Valentine)