In Re-envisioning Śiva Naṭarāja. A Multidisciplinary Perspective the contributors work with hitherto unexplored visual, textual, and epigraphic material and analytical techniques, presenting new insights into the dancing Śiva as icon and concept.

This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Re-envisioning Siva Nataraja. A Multidisciplinary Perspective' offers new insights into the dancing Siva as icon and concept. Each of the seven essays in this volume addresses an aspect of the Nataraja (a specific form of the dancing Siva) that has been until now untouched by scholars, or one for which the research is here moved substantially forward. Through the use of hitherto unexplored materials - murals, prints, icons, Sanskrit iconographic and ritual texts, Tamil inscriptions, and the analysis of metal alloys and casting techniques - old views are checked and challenged, and new ideas are proposed. Combining a wide range of fields of expertise, the volume will add to our knowledge about this well-studied, but poorly understood icon.

The essays gathered here alternately adjust the focal length of the critical lens brought to bear upon texts and contexts in the area of Indian writing in English. They bring into view both intense engagements with major voices in this literary scene and the wider socio-historical perspectives in which they have thrived. Three clearly defined sections on the genres of poetry, prose, and drama are augmented by three incisive interviews with the diasporic Indian English poet Bashabi Fraser, the renowned Indian English fiction writer Kunal Basu, and the premier Indian English playwright Mahesh Dattani. The volume will appeal to students and teachers of postcolonial and comparative literatures. It raises crucial and timely questions about the state of culture in India and the world, the crisis of intolerance, and the loss of memory and diversity. It hones a post-millennial perspective on literature written in the late 20th and early 21st centuries.

About the Book A WONDERFULLY CREATIVE INSIGHT INTO THE LEGEND AND SYMBOLISM OF SHIVA AS A GOD AND HIS ROLE IN THE HINDU TRINITY ALONGSIDE VISHNU AND BRAHMA Shiva, ʻthe destroyerʼ among the Hindu Trinity (of gods), is depicted in many contradictory manners. He is an ascetic who wears animal skin, his body smeared with ashes. Contradictory to his wild nature, he is also depicted as having a family, with a beautiful wife and two children. There are many more such varied representations of Shiva, the most prominent of these being the Linga and theNataraja. The author, Devdutt Pattanaik, introduces the readers to these varied aspects and representations and then sets about interpreting them. He explains the different anomalies and conflicts in beliefs, as well as the symbolism, rituals and reasons behind Hindu worship.

A selection of 333 works of art representing masterpieces of the sacred and court traditions as well as their urban, folk, and tribal heritage.

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2010-Jan. 2, 2011.