The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory. How will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn't run on iMacs. In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion. Rinehart and Ippolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and Ippolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete.

This book brings to life the social and textual worlds in which the representation of contemporary Greek historical experience has been passionately debated, building on contemporary research in history and anthropology concerning the social production of the past.

The ability to remember unique, personal events is at the core of what we consider to be "memory." How does the vivid experience of reinstatement of our past emerge? What is the contribution of this experience to our life histories? These questions have intrigued psychologists, neuroscientists, and philosophers for decades, and are the subject of this volume. In recent years, the science of memory has made extraordinary progress in the conceptualization and assessment of different forms of memory. Instead of thinking of memory as a monolithic construct, memory is now thought of in terms of dissociable classes of constructs. Within declarative memory, the type of memory that one can consciously access, we make distinctions between the constructs of recollection and episodic memory and the constructs of familiarity and semantic memory (respectively). Contributors to this volume discuss new methods to assess these types of memory in studies that refine our understanding of the functions necessary for conscious and vivid recollection. The work has led to substantial increases in our understanding of the building blocks of recollection and its developmental course. The volume also addresses the exciting new research on the neural basis of recollection. Never before has the connection between brain and function been so close. Contributors review neuroimaging studies of the healthy brain and neuropsychological investigations of patients with brain damage that reveal the specific brain structures involved in the ability to recollect. These brain structures undergo important developmental change during childhood and adolescence, leading to questions--and answers--of how the relationship between brain and function unfolds during the course of infancy, childhood, and adolescence.

"Marie Louise von Franz's Projection and Re-Collection is thorough in its wide-ranging exploration as both a map and a guide to the recognition and reclaiming of projection. Von Franz skillfully brings theory to life as she builds on and further develops C.G. Jung's research on projection". -- Julia Jewett Jungian Analyst "The book is stimulating in going to the core of psychotherapeutic work, and invites a response from psychotherapists in general and from Jungian analysts in particular". -- San Francisco Jung Institute Library Journal

Considered by many to be the most beautiful woman of her generation, Sharon Tate remains a fascinating pop icon and a poster child for the 1960s. What struck most about Sharon was her gentle nature and the sheer perfection of her face, but she was far more than just a beauty. The few films she made during her brief career, including Valley of the Dolls, Eye of the Devil, and The Fearless Vampire Killers, have secured her position as a Hollywood legend. Over forty years since her last film, Sharon's spirit and charisma lives strong in the memories of those who knew her best, and her style continues to inspire the worlds of fashion, beauty, art, and film. Sharon Tate: Recollection is a one-of-a-kind celebration of Sharon's life and career, her influence as a fashion icon throughout the world, and in effect presents a sociological portrait of the 1960s -- its youth culture, the sexual revolution, the rise of independent cinema, and Hollywood's changing studio system. In this impressive photo book, Sharon Tate's story emerges through quotes and short essays -- recollections -- by her sister, Debra Tate, as well as by those who knew and have been influenced by her. What emerges from these pages is a stunning tribute to an unforgettable life. Highlights include: A foreword note by Sharon's husband Roman Polanski. An introduction and remembrances by Sharon's sister Debra Tate. Previously unseen childhood photos from the Tate family album. Original quotes and recollection essays written specially for this book by Jane Fonda, Kelly Osbourne, Bert Stern, Michelle Phillips, Patty Duke, Lee Grant, Elke Sommer, Joan Collins, Viva, Tony Scotti and Trina Turk. Retrospective quotes by Truman Capote, Diana Vreeland, Richard Avedon, Dominick Dunne, Warren Beatty, Mia Farrow, Orson Welles, Barbara Parkins, George Harrison, David Niven, Deborah Kerr, Yul Brynner and Kirk Douglas. Rare and classic photographs by David Bailey, Milton Greene, Philippe Halsman, Shahrokh Hatami, Terry O'Neill, Peter Basch, John Engstead, Peter Brün, Neal Barr and Jean Jacques Bugat. Never-before-seen or published images of Sharon in the classic film Valley of the Dolls, digitally reproduced from their original negatives and transparencies specially for this book by the 20th Century Fox archive.

Donald Phillip Verene has advanced a completely new reading of Hegel's Phenomenology of Spirit. He shows that the philosophic meaning of this work depends as much on Hegel's use of metaphor and image as it does on Hegel's dialectical and discursive descriptions of various stages of consciousness. The focus is on Hegel's concept of recollection (Erinnerung). Consciousness confronts itself with the aim of achieving absolute knowing. This is the first commentary to regard metaphor, irony, and memory as keys to the understanding of Hegel's basic philosophical position.

Questions about learning and discovery have fascinated philosophers from Plato onwards. Does the mind bring innate resources of its own to the process of learning or does it rely wholly upon experience? Plato was the first philosopher to give an innatist response to this question and in doing so was to provoke the other major philosophers of ancient Greece to give their own rival explanations of learning. This book examines these theories of learning in relation to each other. It presents an entirely different interpretation of the theory of recollection which also changes the way we understand the development of ancient philosophy after Plato. The final section of the book compares ancient theories of learning with the seventeenth-century debate about innate ideas, and finds that the relation between the two periods is far more interesting and complete than is usually supposed.