With the fascinating scholarship of The Emperor of All Maladies and the deeply personal experience of When Breath Becomes Air, a world-class oncologist examines the current state of cancer and its devastating impact on the individuals it affects -- including herself. In The First Cell, Azra Raza offers a searing account of how both medicine and our society (mis)treats cancer, how we can do better, and why we must. A lyrical journey from hope to despair and back again, The First Cell explores cancer from every angle: medical, scientific, cultural, and personal. Indeed, Raza describes how she bore the terrible burden of being her own husband's oncologist as he succumbed to leukemia. Like When Breath Becomes Air, The First Cell is no ordinary book of medicine, but a book of wisdom and grace by an author who has devoted her life to making the unbearable easier to bear.

In the decades following the Mexican Revolution, nation builders, artists, and intellectuals manufactured ideologies that continue to give shape to popular understandings of indigeneity and mestizaje today. Postrevolutionary identity tropes emerged as part of broader efforts to reunify the nation and solve pressing social concerns, including what was posited in the racist rhetoric of the time as the “Indian problem.” Through a complex alchemy of appropriation and erasure, indigeneity was idealized as a relic of the past while mestizaje was positioned as the race of the future. This period of identity formation coincided with a boom in technology that introduced a sudden proliferation of images on the streets and in homes: there were more photographs in newspapers, movie houses cropped up across the country, and printing houses mass-produced calendar art and postcards. La Raza Cosmética traces postrevolutionary identity ideals and debates as they were dispersed to the greater public through emerging visual culture. Critically examining beauty pageants, cinema, tourism propaganda, photography, murals, and more, Natasha Varner shows how postrevolutionary understandings of mexicanidad were fundamentally structured by legacies of colonialism, as well as shifting ideas about race, place, and gender. This interdisciplinary study smartly weaves together cultural history, Indigenous and settler colonial studies, film and popular culture analysis, and environmental and urban history. It also traces a range of Indigenous interventions in order to disrupt top-down understandings of national identity construction and to “people” this history with voices that have all too often been entirely ignored.

The well-known and controversial Mexican American studies (MAS) program in Arizona’s Tucson Unified School District set out to create an equitable and excellent educational experience for Latino students. Raza Studies: The Public Option for Educational Revolution offers the first comprehensive account of this progressive—indeed revolutionary—program by those who created it, implemented it, and have struggled to protect it. Inspired by Paulo Freire’s vision for critical pedagogy and Chicano activists of the 1960s, the designers of the program believed their program would encourage academic achievement and engagement by Mexican American students. With chapters by leading scholars, this volume explains how the program used “critically compassionate intellectualism” to help students become “transformative intellectuals” who successfully worked to improve their level of academic achievement, as well as create social change in their schools and communities. Despite its popularity and success inverting the achievement gap, in 2010 Arizona state legislators introduced and passed legislation with the intent of banning MAS or any similar curriculum in public schools. Raza Studies is a passionate defense of the program in the face of heated local and national attention. It recounts how one program dared to venture to a world of possibility, hope, and struggle, and offers compelling evidence of success for social justice education programs.

As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego's volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. Here, Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patino tells the story of how Chicano/Mexicano politics articulated an "abolitionist" position on immigration--going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate.

With works by nearly fifty artists, including Richard Duardo, Sam Coronado, Vincent Valdez, Alex Rubio, Ester Hernández, Patssi Valdez, Gronk, César Martínez, and Luis Jiménez, this volume presents one of the most important collections of contemporary Mexican American prints in existence.

Raza is the fifth in the series of novels about the 13th century, and the various crusades and wars that occurred during that period. Raza has been a main character in several of the previous Paw Prints books, and now breaks out on his own. As an agent of the Pope, Raza undertakes several important missions in the cause of Christianity versus the Moslem forces seeking to overrun the West.

Based on articles written for the Fort Worth Star-Telegram, author Richard J. Gonzales draws on his educational, inner-city and professional life experiences to weave eyewitness testimony into issues facing Chicanos, including economic, health, education, criminal justice, politics, immigration, and cultural issues. Raza Rising presents a personal recounting of a Chicano's struggle with and understanding of the socio-economic policies and historical actions that impact their ascendancy. Raza Rising offers first-hand observations, supported by well-documented scholarly research, of Chicanos' growth and subsequent struggles to participate fully in North Texas' political and economic life. Raza Rising takes the reader to the organization of a Fort Worth immigration reform march, to the actual march with 20,000 people on Main Street on Palm Sunday, to a protest demonstration of the City of Farmers Branch's attempt to prohibit renting to the undocumented immigrant, to the author's awakening in Chicago on the importance of learning, and to his poignant experience as a guest speaker in a Fort Worth public school classroom. Other observations offer insight on how Chicanos struggle with their ethnic identity and understanding of their history. In addition, the book highlights important historical and political events that illustrate Chicanos' attempts to overcome barriers to their rise. At a time when global economic competition threatens the United States' first world status, this country must nurture academic excellence for all its citizens. Raza Rising provides specific explanations for the Chicano educational lag and workable solutions to accelerate their political, economic and academic achievements. Prophetic state and national demographers have forecasted the steady increase in Chicano populations and decrease in white populations. Raza Rising offers students, instructors, policy makers, politicians and neighbors a deeper understanding of Chicanos, who in the near future will transition from minority to majority status in Texas.