A collection of flyers, invitations and rare memberships to legendary clubs and events from the Rave scene, giving an insight into a socio-cultural phenomenon that changed music, the law, drug culture, dance, fashion and design. Revised and expanded.

Published to accompany the exhibition Energy flash - the Rave Movement, M HKA, 17 June 25-September 2016.

A history of American art and its criticism as seen through the eyes of contemporary viewers and critics.

Showcasing the mastermind behind some of the most iconic rave flyers and record covers of the late eighties and early nineties, Junior Tomlin: Flyer & Cover Art is a comprehensive insight into Junior's incredible back catalogue. Intrinsic to the spread of rave culture in pre-internet days was the dissemination of flyers, giving ravers information on where and when promoters would be organising parties. To stand out from the competition events needed to have distinctive flyer artwork and Junior's visionary capabilities led to a long-running career as a flyer artist. His often surreal imagery earned him the title 'The Salvador Dali of rave'. 30 years since he designed his first flyer, this book documents his work, with commentary and draft sketches provided by Junior himself. Chronicling the work of a pioneering artist whose art was part of the visual identity of early rave culture, Junior Tomlin: Flyer & Cover Art marks a critical time in British history. In a time where division and conflict seem to be more prevalent than ever, the book allows us to escape into Junior's fantasy worlds and travel back in time to an era when social barriers were being broken down.

Joining the ranks of Please Kill Me and Can’t Stop Won’t Stop comes this definitive chronicle of one of the hottest trends in popular culture—electronic dance music—from the noted authority covering the scene. It is the sound of the millennial generation, the music “defining youth culture of the 2010s” (Rolling Stone). Rooted in American techno/house and ’90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture. Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet—message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy—(Molly, as it’s know today) an empathic drug that heightens sensory pleasure—was the narcotic fueling this alternative movement. Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars—from early break-in parties to Skrillex and Daft Punk—The Underground Is Massive captures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in.

Started as a visual diary, 'Ravedeath Convention' soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times. The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker's album 'Ravedeath,1972'.