In Between Goodbyes, Anita Bunkley tells the unforgettable story of a beautiful survivor with everything to offer--and to lose. . . Long, lean, and exotically beautiful, Afro-Cuban Niya Londres has achieved a great deal since coming to America ten years ago. Through talent and hard work, she's climbed her way to the top of her glittering career as the star of a hit Broadway musical. Now she's planning her lavish Acapulco wedding. There's just one hitch--she hasn't said "yes" to any of the three men who have popped the question! Tremont Henderson, a gifted jazz musician with a checkered past, was the first to capture Niya's heart. Broadway producer and her long-time manager Granger Cooper holds a claim on her affections as the man who made her a star. And then there's Astin Spencer, a tanned and devilishly sexy entrepreneur who unexpectedly came into Niya's life. . . Three men anxiously await her answer. Which will Niya choose? As Niya carefully weighs her decision, she discovers that all she's ever dreamed of might not be what she really wants. . . Praise for Anita Bunkley and Mirrored Life. . . "A touching story of betrayal and redemption. . .entertaining, fulfilling. . .a joy to read." --Connie Briscoe, New York Times bestselling author "A breakout. . .[an] absorbing story. . .you won't be able to put down." --Tananarive Due Anita Bunkley has spent more than a decade writing fiction and nonfiction, while lecturing on topics related to career advancement, personal promotion, attitude adjustment, and making dreams come true. She is the author of nine published novels, two novellas, two nonfiction books, and a short story written exclusively for the Internet. She was also an NAACP Image Award nominee in 2000 for her contribution to the anthology, Girlfriends. She lives in Houston, Texas with her family.

Jim Croce, singer-songwriter of the #1 hits Bad Bad Leroy Brown and Time in a Bottle, was at the height of his career when his life was cut short in a plane crash while on tour. Just 30 years old on September 20, 1973, Jim was revered by an adoring audience for his gentle melodies and everyman demeanor. Now, for the first time, this memoir reveals the man behind the denim jackets and signature mustache, a hard-working, wry charmer who was also beset with exhaustion at the sheer magnitude of his own success. I Got a Name, told with full access to everyone who knew and loved Jim Croce, is at once a revealing portrait of a great artist and a moving love story.

Countless authors, historians, journalists, and screenwriters have written about the prohibition era, an age of jazz and speakeasies, gangsters and bootleggers. But only a few have explored what happened when governments turned the taps back on. Dan Malleck shifts the focus to Ontario following repeal of the Ontario Temperance Act, an age when the government struggled to please both the “wets” and the “drys,” the latter a powerful lobby that continued to believe that alcohol consumption posed a terrible social danger. Malleck’s investigation of regulation in six diverse communities reveals that rather than only pandering to temperance forces, the Liquor Control Board of Ontario sought to define and promote manageable drinking spaces in which citizens would learn to follow the rules of proper drinking and foster self-control. The regulation of liquor consumption was a remarkable bureaucratic balancing act between temperance and its detractors but equally between governance and its ideal drinker.

At the long-term care facility where Robert Rebein’s father lands after a horrific car crash, a shadow box hangs next to each room, its contents suggesting something of the occupant’s life. In Headlights on the Prairie, Rebein has created a literary shadow box of sorts, a book in which moments of singular grace and grit encapsulate a life and a world. In the tradition of memoirs such as Tobias Wolff's This Boy's Life and Ivan Doig's This House of Sky, these essays bring a storyteller's gifts to life's dramas, large and small. Following his award-winning turn on his hometown of Dodge City, Rebein takes us back to the high plains world where his family has farmed and ranched since the 1920s. It is a world populated by feedlot cowboys, stock-car drivers, and farm kids dreaming of basketball glory. Here too we find the darker tales of damaged young men returning from war, long-haul truckers addicted to crystal meth, and the sadly heroic residents of a small-town nursing home grandiloquently named Manor of the Plains. Whether contemplating a fiery crash at a race track, coming to terms with an aging parent, or navigating the last days of a beloved family dog, Rebein offers a subtle, unsparing, often moving look at the moments that go into making a writer and a man. Seen in sharp detail, and recalled from a distance, his is a story of how a man can leave his home on the prairie—and yet never really get out of Dodge.