"I'm sure I never said to myself: 'Now, Jim--why don't you sit down and write a poem.' It's still a mystery to me, but I think probably it's something that happened by accident--like a lot of things have happened in my life." So begins this delightful collection of poetry by America's best-loved actor, Jimmy Stewart. Interspersed with vivid recollections and charming illustrations, the poems document a life that isn't too different from yours or mine. Jimmy Stewart won the hearts of generations of movie viewers with a confused innocence and stammering delivery that made his acting seem genuine and effortless. Somehow he managed to make the boy next door into a national hero. Now, in Jimmy Stewart and His Poems, the consummate Everyman shares tales from his everyday life. From fishing trips and dog stories to a hilarious account of a photo safari where the camera was lost to a hungry hyena, the poems are related in Jimmy Stewart's inimitable voice and are enlivened with charming illustrations. The book confirms what we all expected--that the real Jimmy Stewart is every bit as endearing as the film characters he's portrayed. Jimmy Stewart and His Poems is a perfect gift, one that fans will treasure as much as Jimmy Stewart's timeless performances.

This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?

Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction. It is not Badiou's wish to plead for an accused that is perfectly capable of defending itself without the authors aid. Nor does he seek to proclaim, like Frantz, the hero of Sartre's Prisoners of Altona, 'I have taken the century on my shoulders and I have said: I will answer for it!' The Century simply aims to examine what this accursed century, from within its own unfolding, said that it was. Badiou's proposal is to reopen the dossier on the century - not from the angle of those wise and sated judges we too often claim to be, but from the standpoint of the century itself.

Drawing together a selection of high quality, intellectually robust and stimulating articles on both theoretical and practice-based developments in the field, this Reader investigates the closely linked areas of management and marketing in the museum. The articles, from established and world-renowned contributors, practitioners and writers at the leading edge of their fields, deal with the museum context of management and how marketing and management practices must take account of the specifics of the museum and the not-for-profit ethos. Key writings from broader literature are included, and the collection of key writings on the investigation and study of management and marketing in the museum are of great benefit not only to those studying the subject, but also to professionals working and developing within the field.

Innovative exploration of the relationship of Lacanian psychoanalysis to political and democratic theory.