The ratings are real. One number, 0 to 100, determines your place in society. Earn a high rating, and the world is yours for the taking. But fall to zero, and you may as well cease to exist. Societies thrive on order, and the Rating System is the ultimate symbol of organized social mobility. The higher it soars, the more valued you are. The lower it plummets, the harder you must work to improve yourself. For the students at the prestigious Maplethorpe Academy, every single thing they do is reflected in their ratings, updated daily and available for all to see.But when an act of vandalism sullies the front doors of the school, it sets off a chain reaction that will shake the lives of six special students -- and the world beyond.

In this enormously funny, smart, and moving contemporary YA novel, fighting for the thing you love doesn't always turn out like in the movies. "Hilarious, big-hearted, poignant...An unadulterated triumph." --Jeff Zentner, author of The Serpent King Movies have always helped Ethan Ashby make sense of the world. So when developers swoop in and say the classic Green Street Cinema is going to be destroyed to make room for luxury condos, Ethan is ready for battle. And so a motley crew of cinema employees comes together to save the place they love: There's Sweet Lou, the elderly organist with a penchant for not-so-sweet language; Anjo, the too-cool projectionist; Griffin and Lucas who work concessions, if they work at all; and Ethan, their manager (who can barely manage his own life). Still, it's going to take a movie miracle for the Green Street to have a happy ending. And when Raina Allen, Ethan's oldest friend (and possible soul mate?), comes back to town after working in Hollywood--cue lights and music--it seems that miracle may have been delivered. But life and love aren't always like in the movies. This Book is Not Yet Rated is about growing up, letting go, and realizing love hides in plain view--in the places that shape us, the people who raise us, the first loves who leave us, and the lives that fade in and fade out all around us. "A beautifully written look at first love and first loss." --Julie Buxbaum, author of What to Say Next "Film aficionados and fans of John Green will especially like this one." --Booklist, starred review "It pulls you in, holds you...A funny and moving winner." --Adi Alsaid, author of Never Always Sometimes "I cannot get over how much I love this book." --Jared Reck, author of A Short History of the Girl Next Door "[A] sweet love story with a quest at its heart." --PW "Reel[s] you in...Absorbing...quirky and fun." --VOYA

The hegemony of finance compels a new orientation for everyone and everything: companies care more about the moods of their shareholders than about longstanding commercial success; governments subordinate citizen welfare to appeasing creditors; and individuals are concerned less with immediate income from labor than appreciation of their capital goods, skills, connections, and reputations. That firms, states, and people depend more on their ratings than on the product of their activities also changes how capitalism is resisted. For activists, the focus of grievances shifts from the extraction of profit to the conditions under which financial institutions allocate credit. While the exploitation of employees by their employers has hardly been curbed, the power of investors to select investees — to decide who and what is deemed creditworthy — has become a new site of social struggle. In clear and compelling prose, Michel Feher explains the extraordinary shift in conduct and orientation generated by financialization. Above all, he articulates the new political resistances and aspirations that investees draw from their rated agency.

After two years of fighting, experimentation and some stories, Angela, Zoe and Maddie are prepared to enjoy the fruits of seniority - even though being top dogs at school means thinking about college, sex and even the impending end of their inseparable trio.

Credit rating agencies have been criticized for their role in the financial crisis by understating credit risk. The US subprime mortgage crisis highlighted the systemic relevance of the rating agencies and the deficiencies in their activities; this led to an international consensus to regulate the rating business. Written by those involved in developing European Legislation, this book explains EU Regulation in the context of global initiatives undertaken by the G-20, the Financial Stability Board, and IOSCO to address failures within the rating industry. Through an in-depth analysis of the EU Regulation's requirements on governance, conflicts of interest, methodologies, and transparency, the book provides a clear explanation of how rating agencies operate and how the identified failures have been addressed. Moreover, it examines the supervisory and enforcement powers of ESMA, the EU authority in charge of the registration and oversight of rating agencies. This is complemented with an analysis of guidance from supervisors (ESMA and EBA), IOSCO's recommendations, and US legislation. The book discusses possible new regulatory developments in areas such as the agencies' business model, competition, civil liability, and ratings of sovereign debt, in light of the Euro debt sovereign crisis. It concludes with the authors' support for an enhanced regulatory and oversight coordination at international level and for the implementation of the necessary steps to reduce the existing over-reliance on ratings.

øŠAline Darbellay analyzes the obvious system relevance of credit rating agencies in depth and assesses the possible options for regulatory responses to this systemic issue. Thereby, the book is based on a fruitful comparative legal approach and formul