The papers presented in this book were given at the RIDT 91 conference in Boston. State of the art techniques in digital typography and raster imaging, including curve-fitting, shape manipulation, font design, and page-description languages are discussed by some of the most highly regarded international figures.

This book presents the refereed proceedings of the EP'98 and RIDT'98 conferences, held jointly during the Second International Week on Electronic Publishing and Typography in St. Malo, France, in March/April 1998. The 43 revised full papers presented were carefully selected for inclusion in the book. Among the topics covered are artistic imaging, tools and methods in typography, non-latin type, typographic creation, imaging, character recognition, handwriting models, legibility and design issues, fonts and design, time and multimedia, electronic and paper documents, document engineering, documents and linguistics, document reuse, hypertext and the Web, and hypertext creation and management.

This book is about a very active area of electronic publishing involving both academia and industry.

Digital technology now enables unparalleled functionality and flexibility in the capture, processing, exchange, and output of color images. But harnessing its potential requires knowledge of color science, systems, processing algorithms, and device characteristics-topics drawn from a broad range of disciplines. One can acquire the requisite background with an armload of physics, chemistry, engineering, computer science, and mathematics books and journals- or one can find it here, in the Digital Color Imaging Handbook. Unprecedented in scope, this handbook presents, in a single concise and authoritative publication, the elements of these diverse areas relevant to digital color imaging. The first three chapters cover the basics of color vision, perception, and physics that underpin digital color imaging. The remainder of the text presents the technology of color imaging with chapters on color management, device color characterization, digital halftoning, image compression, color quantization, gamut mapping, computationally efficient transform algorithms, and color image processing for digital cameras. Each chapter is written by world-class experts and largely self-contained, but cross references between chapters reflect the topics' important interrelations. Supplemental materials are available for download from the CRC Web site, including electronic versions of some of the images presented in the book.

The focus of this book is on providing a thorough treatment of image processing with an emphasis on those aspects most used in computer graphics. Throughout, the authors concentrate on describing and analysing the underlying concepts rather than on presenting algorithms or pseudocode. As befits a modern introduction to this topic, a healthy balance is struck between discussing the underlying mathematics of the subject and the main topics covered: signal processing, data discretization, the theory of colour and different colour systems, operations in images, dithering and half-toning, warping and morphing, and image processing.

Since the first edition of this book was published several new developments have been made in the field of the moiré theory. The most important of these concern new results that have recently been obtained on moiré effects between correlated aperiodic (or random) structures, a subject that was completely absent in the first edition, and which appears now for the first time in a second, separate volume. This also explains the change in the title of the present volume, which now includes the subtitle “Volume I: Periodic Layers”. This subtitle has been added to clearly distinguish the present volume from its new companion, which is subtitled “Volume II: Aperiodic Layers”. It should be noted, however, that the new subtitle of the present volume may be somewhat misleading, since this book also treats (in Chapters 10 and 11) moiré effects between repetitive layers, which are, in fact, geometric transformations of periodic layers, that are generally no longer periodic in themselves. The most suitable subtitle for the present volume would therefore have been “Periodic or Repetitive Layers”, but in the end we have decided on the shorter version.