The book premises that despite the long history of violence and discrimination against Dalits, their lives have transformed with the political and economic shifts in the country over the last three decades. It addresses these changes and interrogates the major aspects of Dalit experience associated with them.

The representation of Islam is unquestionably a critical test for comparing journalistic reporting across countries and cultures. The Islamic religion has weight in international reporting (defining what we termed “foreign Islam”), but it is also the religion of numerically important minority groups residing in Europe (“national Islam”). The first part of the book is “setting the scene.” Three chapters provide insights in dominant patterns of the representation of Islam as detected by various authors and studies involved with Islam representation in Europe. Part two, the core section of the book, contributes to the development of the field of comparative journalism studies by comparing several countries and six media systems in Western Europe: the Dutch-speaking part of Belgium (Flanders), the French-speaking part of Belgium (Wallonia), the Netherlands, France, Germany, and the U.K. Part three of this book presents two reception studies, one qualitative and the other quantitative. Equally important, as the bulk of attention goes to Western Europe, is the extension towards the representation of Muslims and Islam outside Western Europe. Part four of the book is devoted to the representation of Islam in some of the so-called BRICs-countries: Russia, China, and India.

Meet the members of the Sunset Club: Pandit Preetam Sharma; Nawab Barkatullah Baig and Sardar Boota Singh. Friends for over forty years; they are now in their eighties. And every evening; at the sunset hour; they sit together on a bench in Lodhi Gardens to exchange news and views on the events of the day; talking about everything from love; lust; sex and scandal to religion and politics. As he follows a year in the lives of the three men—from January 26 2009 to January 26 2010—Khushwant Singh brings his characters vibrantly to life; with his piquant portrayals of their fantasies and foibles; his unerring ear for dialogue and his genius for capturing the flavour and texture of everyday life in their households. Interwoven with this compelling human story is another chronicle – of a year in the life of India; as the country goes through the cycle of seasons; the tumult of general elections; violence; natural disasters and corruption in high places. In turn ribald and lyrical; poignant and profound; The Sunset Club is a deeply moving exploration of friendship; sexuality; old age and infirmity; a joyous celebration of nature; an insightful portrait of India’s paradoxes and complexities. A masterpiece from one of India’s most-loved storytellers; The Sunset Club will have you in tears and laughter; and grip you from the first page to the last.

The essential Khushwant Singh collection. In an essay in this anthology, Khushwant Singh claims that he is not a nice man to know. Whatever the truth of that assertion, there is little question about his skill as a witty, eloquent and entertaining writer. This book collects the best of over three decades of the author’s prose—including his finest journalistic pieces, short stories, translations, jokes, plays as well as excerpts from his non-fiction books and novels. Taken together, the pieces in this selection (some of which have never been published before) show just why Khushwant Singh is the country’s most widely read columnist and one of its most celebrated authors.

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Dealing on various common political issues of India after 1977 onwards.