On 1st July Raoul Moat was released from Durham prison after serving 18 weeks for assault on a minor. In the 10 days that followed, Moat brought terror and fear to the Northumberland countryside, seriously injuring his ex-girlfriend and killing her partner before vowing to harm any policemen who got in his way. Armed with a sawn-off shotgun, Moat went on the run and continued his violent rampage, shooting police constable David Rathband and fleeing to the remote moors of Northumberland. This is the full story behind Moat's ten days on the run. It traces his final steps in what became one of Britain's biggest police manhunt, from the initial murder in Birtley, through to the police standoff on the banks of the River Coquet in Rothby. Examining the various police, press and witness reports, and piecing together Moat's final movements across the Northumberland countryside, this is the retelling of one of the most deadly manhunts Britain has ever seen, and the first insight into what made Moat a killer.

Winner of the CWA Gold Dagger for Non-Fiction and a Northern Writers Award These are the last days of Raoul Moat. Raoul Moat was the fugitive Geordie bodybuilder-mechanic who became notorious one hot July week when, after killing his ex-girlfriend's new boyfriend, shooting her in the stomach, and blinding a policeman, he disappeared into the woods of Northumberland, evading discovery for seven days – even after TV tracker Ray Mears was employed by the police to find him. Eventually, cornered by the police, Moat shot himself. Andrew Hankinson, a journalist from Newcastle, re-tells Moat's story using Moat's words, and those of the state services which engaged with him, bringing the reader disarmingly close at all times to the mind of Moat. It is a reading experience unrelieved by authorial distance or expert interpretation. The narrative Hankinson has woven is entirely compelling, even if Moat's weaknesses are never far from sight, requiring the reader to work out where he or she should stand. PRAISE FOR ANDREW HANKINSON ‘A claustrophobic true-crime account in the tradition of Truman Capote’s In Cold Blood … [Hankinson’s] purpose is to show Moat as a product of our culture and society … Moat is presented as an intriguing case study in disintegration, making bad choices then devoting all his intelligence to justifying them in his own head.’ The Guardian ‘A powerful portrayal of the banality of violence … a trigger finger of a book: taut, tense and on edge.’ The Sunday Times

On 1st July Raoul Moat was released from Durham prison after serving 18 weeks for assault on a minor. In the 10 days that followed, Moat brought terror and fear to the Northumberland countryside, seriously injuring his ex-girlfriend and killing her partner before vowing to harm any policemen who got in his way. Armed with a sawn-off shotgun, Moat went on the run and continued his violent rampage, shooting police constable David Rathband and fleeing to the remote moors of Northumberland. This is the full story behind Moat's ten days on the run. It traces his final steps in what became one of Britain's biggest police manhunt, from the initial murder in Birtley, through to the police standoff on the banks of the River Coquet in Rothby. Examining the various police, press and witness reports, and piecing together Moat's final movements across the Northumberland countryside, this is the retelling of one of the most deadly manhunts Britain has ever seen, and the first insight into what made Moat a killer.

The 21st century is already seeing fundamental changes in broadcasting. No longer are audiences limited to watching or listening to television and radio at the times and places dictated by the broadcasters, or on radio or TV 'sets'. Broadcasting in the 21st Century demonstrates how 'traditional' television and radio is being both challenged and supported by technological developments, including convergence and social media. Drawing on interviews with industry personnel and featuring case studies and research from many countries, including that from the UK, USA, China, India and South Africa, Richard Rudin explains not only the significance of these changes but also how many of the functions and pleasures of broadcasting that were established in the 20th century are being enhanced by new media. Opening with a substantial account of how broadcasting developed in the 20th century, the author goes on to explore how new media forms are changing audiences' pleasures, expectations and demands. Rudin's illuminating study highlights the changing relationship between audiences and broadcast output to examine a range of subjects including: - The impact of citizens' journalism - Political coverage - International TV formats and news output - The continuing appeal of radio as a distinct medium - Debates over bias, truth and trust in broadcasting and broadcasters In addition, Broadcasting in the 21st Century addresses a range of broadcast forms and genres including the coverage of general elections, Reality TV and pirate radio.

What has become known as the Frankfurt School is often reduced to a small number of theorists in media communication and cultural studies. Challenging this limitation, Revisiting The Frankfurt School introduces a wider theoretical perspective by introducing critical assessments on a number of writers associated with the school that have been mostly marginalized from debate. This book therefore expands our understanding by addressing the writings of intellectuals who were either members of the school, or were closely associated with it, but often neglected. It thus brings together the latest research of an international team of experts to examine the work of figures such as the social psychologist Erich Fromm, the philosophy of Siegfried Kracauer, the writer on media and communication Leo Lowenthal, introducing Hans Magnus Enzenberger to the debate, whilst also shedding new light on the work of Max Horkheimer, Theodor Adorno, Herbert Marcuse, Walter Benjamin and Jürgen Habermas. A critical reassessment of the contributions of the Frankfurt School and its associates to cultural, media and communication studies, as well as to our modern understanding of new media technology and debate within the public sphere, this book will appeal to those with interests in sociology, philosophy, social psychology, social theory, media and communication, and cultural studies.

'Shoot To Kill' provides a fresh, accessible and much-needed overview of a controversial topic, especially after the shooting of Jean-Charles De Menezes in 2005.

Whether it's a means of staying in touch with old friends or of making new enemies, Facebook -- which celebrates its 7th birthday in 2011 -- is impossible to ignore... In June an Irish MEP called for Facebook to be regulated as a health hazard, in the same way as alcohol and drugs. It's not hard to see why. According to experts at top addiction clinic, The Priory, one in ten of us is in danger of becoming addicted to Facebook, and in need of psychiatric help to recover. We log on compulsively to keep tabs on our friends (and, more importantly, our enemies), we obsessively acquire 'friends', even though we might not actually know them and we develop damaging insecurities as a result of the 'perfect' selves our 'friends' portray, believing that our own lives don't measure up. Worst of all, we're so busy leading our virtual lives that we forget to lead our actual ones. So what makes this social networking site so addictively popular? Well, it's the way FB has extended into every corner of our lives, changing the way we interact with one another. This book takes a lighthearted look at the site with a mixture of real-life stories, expert comment and useful tips.