Ranking the '80s is the Who's Who and the What's What of pop music in the video decade.It's the complete reference. All the singles and all the albums, as well as all the acts that recorded them, ranked and indexed. Chart statistics are included for each record-Entry, Peak, Weeks at Peak and Total Weeks. Every single's entry includes writers, producers and the album from which the single came. The top writers and producers are ranked, and listed along with the acts and singles for whom they wrote and produced.Acts and records-both singles and albums-are brought together in united references with the acts in alphabetical order and the records sorted by chart strength. Vital statistics for both acts and albums are included.Ranking the '80s is full of new analytics. Albums are scored two ways: on the album's chart strength and according to the chart strength of the singles they produced. The difference can be telling: which albums are collections of hits and which albums are greater than the sum of their parts? Acts are analyzed as well: Which acts are singles acts and which are album acts?There is a unique Chronology section-a two-page graph and text snapshot of the decade for the top 20 singles acts and top 20 album acts. Each vignette traces singles history, album history week-to-week, important interactions between singles and albums, and a narrative summary of the act's decadal chart achievements.Then there are the fun lists:Highest scoring singles and albums never to make the weekly top 5Lowest scoring number 1sWeakest followup releases to number 1 hitsActs with consecutive number 1sActs with the most records and the most weeks in the Top 10, Top 40 and on the chartsMost records on the charts simultaneously?and many, many more

* A compilation of all the best bits from Britain's best-loved, much-mourned pop magazine

(Keyboard Presents). No single decade revitalized the keyboard as a focal point as much as the 1980s. Now, the editors of Keyboard magazine have culled that era's most insightful articles and combined them with a wealth of insight to create this landmark book. Features 20 interviews with noted players and producers like Jimmy Jam & Terry Lewis, Duran Duran's Nick Rhodes, Depeche Mode's Vince Clarke, Peter Gabriel, and The Human League, as well as such visionary pioneers as Herbie Hancock, Chick Corea, and Frank Zappa.

Growing up as a child in the ''80s had its ups and downs - it's perhaps the one decade that, more than any other, begets groans of, ''oh, what were you thinking?'' Those 10 years saw some huge changes - pop music went electronic, yuppies ruled the financial world, and fashion was never the same again. Neither was the car. Yes, despite some four-wheeled disasters, the ''80s still had plenty of cool cars. The petrol heads of the time lusted after Magnum P.I.''s Ferrari 308; they salivated over the Ferrari Daytona and Testarossa from Miami Vice, they watched ''Back to the Future'' in cinemas across the country, mesmerised at the sight of the Doc''s De Lorean (surely the ultimate in customisation?). Other 80s supercars included Porsche''s peerless 911, the original Audi Quattro (a car resurrected on current U.K. television in the show Ashes to Ashes) and the Ford Capri SLE 71R driven by Terry McCann in Minder... the list goes on. Now, 'The Best of Car' takes you back to the days when cars were flash, angular and mean. It''s time to don the shades and head out for a cool cruise down the strip. Flick through the glossy pages of what became the bible for aspiring car enthusiasts in the 80s - the only motoring magazine that reflected the true age of excess, and relive those long-forgotten dreams.

A totally righteous collection of tunes! From hair metal to the King of Pop, these 100 best-selling albums made up the soundtrack of the '80s. The wild success of artists Madonna, Michael Jackson, Van Halen, and Prince are chronicled here, along with more mellow musicians such as John Mellencamp, Phil Collins, Lionel Richie, and Huey Lewis. Metal heads will also appreciate entries from Def Leppard, Metallica, Guns ’n’ Roses, Quiet Riot, and more. Each listing features the full-color original sleeve artwork, and is packed with information about the musician lineup, track listings, and number-one singles that resulted. Return to the footloose years of the 1980s!

The music of the 1980s left an indelible mark on pop culture. Thanks to the dawn of MTV and the increasing affordability of synthesizers, a generation of innovative artists took the world by storm to create one of the last great glory eras of pop music. To get to the heart of what made this decade so special, music journalist Jim Beviglia weaves a narrative of the stories behind the pop music phenomenon. Playing Back the 80s: A Decade of Unstoppable Hits features original interviews with more than sixty artists, producers, session players, writers, and others who were directly involved with the most memorable songs of the decade. Among those who appear in Playing Back the 80s are iconic artists like Huey Lewis, Rick Springfield, Kim Carnes, Vernon Reid, Dennis DeYoung, Colin Hay, and Eddie Money telling the stories of how they created, often against imposing odds and in the midst of bizarre circumstances, the unstoppable hits and unheralded gems that still enchant so many fans today. Playing Back the 80s will have music fans pulling their old cassettes out of storage and remembering when and where they heard the songs first. For those who didn’t grow up in the 80s, this endlessly fun book will show them what the fuss was all about and maybe reveal a few surprises along the way.

Soon to be a Paramount+ exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history—you'll feel like you were right there with us!" —Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated—and maybe even helped to define—a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister’s “We’re Not Gonna Take It,” Mötley Crüe’s “Girls, Girls, Girls,” and Guns N’ Roses’ “Welcome to the Jungle” are as inextricably linked to the era as Reaganomics, PAC-MAN, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, Mötley Crüe, Poison, Guns N’ Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era—one in which the bands and their fans went looking for nothin’ but a good time...and found it.