The 1980s--the decade that brought us Madonna and MTV, Smurfs and Michael Dukakis, yuppies and Nancy Reagan--are brought gloriously to life in Rambo Reagan an exhaustive compendium of the people, places, and events that made up that hedonistic, materialistic decade. The book features more than 1,400 clever and challenging questions. 29 photos.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

War has had a powerful impact on the film industry, while at the same time motion pictures can influence wartime behaviour & shape our perception of the historical record. This book collects essays that use a variety of critical approaches to explore this film genre.

Hard Bodies looks at some of the most popular films of the Reagan era and examines how the characters, themes, and stories presented in them often helped to reinforce and disseminate the policies, programs, and beliefs of the 'Reagan Revolution.'

The Reagan Rhetoric examines the extraordinary connections between President Ronald Reagan's conversations with the American people and the profound changes that swept the nation under those conversations' influence. Through the lens of history, rhetoric, and memory, Bates' work draws connections between the style, manner, and consistency of Reagan's oratory and the social and cultural settings in which it played so vital a role. Specifically focusing on the 1980 Neshoba County Mississippi Campaign visit, the popular culture memory of the Vietnam War, and the controversy of Iran-Contra, this book illustrates Reagan's sweeping ability to change how Americans thought about themselves, their past, and their politics. By concluding with an examination of media coverage of Reagan's 2004 death, Bates reveals that certain interpretations Reagan rhetorically offered during his presidency had become an accepted collective memory for millions of Americans. In death, as in life, Reagan had the last word. Through extensive archival research, the careful examination of well-known and obscure 1980s print media and popular culture, as well as new interviews, Bates challenges the prevailing Reagan historiography and provides a thoughtful reality check on some of the traditional views of his eight years in the Oval Office. The Reagan Rhetoric offers new and important contributions to Reagan studies that will appeal to scholars of the 40th president. This look at the 1980s will be of great interest to the growing number of historians studying that decade.

Named a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond. Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan's ascendance brought such movie events as Jaws, Apocalypse Now, Blade Runner, Ghostbusters, Blue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War. An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman's Found Illusions trilogy; the first volume, The Dream Life, was described by Slate's David Edelstein as "one of the most vital cultural histories I've ever read"; Film Comment called the second, An Army of Phantoms, "utterly compulsive reading." Reagan, a supporting player in Hoberman's previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.

John Pilger's classic work of literary journalism, now with a new introduction by the author.