Real historical facts of Indonesia before INDONËSIARYĀ By : Santo Saba (Exploration & Research) eBook pdf : WA +62813 2132 9787 https://wa.me/message/OO5THVF7RNNDO1

The Kakawin Ramayana, arguably the oldest Old Javanese epic text in Indic metres (circa 9th century AD), holds a unique position in the literary heritage of Indonesia. The poem has retained a remarkable vitality through the centuries in the Archipelago, inspiring many forms of artistic expression not only in the domain of literature but also in the visual and performing arts, from the reliefs of the majestic Central Javanese temples to modern puppet-show performances. Displaying a virtuoso array of metrical patterns, the Kakawin Ramayana is among the very few Old Javanese texts for which a specific Sanskrit prototype has been identified, namely the difficult poem Bhattikavya (circa 7th century AD), itself a version of the great Ramayana epic ascribed to Valmiki (circa 6th–1st century BC). The Old Javanese poem is an original and skillful work of re-elaboration that documents a fascinating interaction between cultural elements of the Sanskritic tradition with those indigenous to the Javanese setting. The studies included in this volume, written by experts in a wide range of disciplines, focus on disparate aspects of the Kakawin Ramayana and the constellation of cultural phenomena revolving around it, providing the reader with a key to the understanding of the rich Old Javanese textual heritage and the transcultural intellectual dynamics that contributed to shaping the cultural heritage of Indonesia up to the present. With contributions from Andrea Acri, Helen Creese, Arlo Griffiths, Thomas Hunter, Roy Jordaan, Lydia Kieven, Cecelia Levin, Wesley Michel, Stuart Robson and Adrian Vickers, this book is the result of a workshop held at the KITLV branch in Jakarta on May 26th–28th 2009 and supported by the Australia-Netherlands Research Collaboration, the École Française d’Extrême-Orient, and the Stichting J. Gonda Fonds.

Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.

Rāmāyaṇ which is derived from the words Rāma and Aya berarti which means "The Journey of the Rama", Ramayana is a holy bible that has influenced the lives, thoughts and cultures of millions of people before thousands of years and finally underlies the teachings called Hinduism. History of Rama, There is a real difference between the concept of seeing and understanding history, especially the way of seeing or the concept of thinking in Western and Eastern Societies, in this case Asia. In the concept of history, Western Society considers that physical evidence is needed in seeing a historical event. In this case, the date or time, place or location of the incident occurred is very important. The discovery of a stone site, an ancient inscription found when excavating an archaeological area is of higher value and is considered as 'information' or 'evidence' of a valid event. Therefore, in the concept of history, Western Society does not consider historical evidence if it is only an oral or written story that exists in the archaeological area.

The Original Ramayana Was Written Three Thousand Years Ago. Now, With Breathtaking Imagination And Brilliant Storytelling, Ashok K. Banker Has Recreated This Epic Tale For Modern Readers Everywhere Rama Finally Achieves Victory Against The Rakshasas In The Bloody Battle Of Janasthana. He Now Looks Forward To A Time Of Harmony In The Lush Environs Of His Retreat At Panchvati. But, As Rama Soon Realizes, The War Is Yet To Be Won& Tormented By Unsatiated Lust, In A Hellish Fury, Supanakha, The Demoness Scorned, Makes A Desperate Journey To The Island-Kingdom Of Lanka. There She Succeeds In Reviving Her Comatose Cousin Ravana, Supreme Lord Of The Asuras, As Ruthlessly Determined To Seek Revenge Against Rama As She Is. Their Diabolic Mission Will Test The Very Limits Of Rama S Courage, Skill And Endurance&

Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out. The book describes four specific forms of contemporary performance that are unique to Bali: Wayang shadow-puppet theatre Sanghyang ritual trance performance Gambuh classical dance-drama the virtuoso art of Topeng masked theatre. These culturally unique and beautiful theatrical events are contextualised within religious, intellectual and social backgrounds to give unparalleled insight into the mind and world of the Balinese performer.