Widely regarded as the greatest Romanian novel of the twentieth century, Mateiu Caragiale’s Rakes of the Old Court (Craii de Curtea-Veche) follows four characters through the bars and brothels of Bucharest. Guided by an amoral opportunist, the shadowy narrator and his two affluent friends drink and gamble their way through a city built on the ruins of crumbled castles and bygone empires. The novel’s shimmering, spectacular prose describes gripping vignettes of love, ambition, and decay. Originally published in 1929, Rakes of the Old Court is considered a jewel of Romanian modernism. Devoted “Mateists” have long read, memorized, and reenacted the novel, and after the Romanian Revolution, it became part of the high school curriculum. Now canonical, Mateiu’s work has been celebrated for its opulent literary style and enigmatic tone.

The Romanian writer Mateiu I. Caragiale (great playwright Ion Luca Caragiale's son), lived between 1885-1936. His main literary works are the short story "Remember" (1921) and the novel "Gallants of the Old Court" (1929, Romanian Writers Society's Award). He shines through the originality and distinction of his masterly controlled style. Written in the first person, "The Gallants of the Old Court (Craii de Curtea-Veche)" reveals the traits of, and satirizes, Romanian society in the early 20th century. Three self-indulgent, decadent characters while away their time, drinking, playing cards, chasing women. They also make allowance for the company of Gore Pirgu, an uncultured self-seeker of very low extraction, whose abominable character mirrors the new political class of the time. In this novel, the dying world of medieval boyars meets a rising fiercely capitalistic world, with new rules and ruthless behavior. Respected Romanian literary critic George Calinescu wrote: "Reality is transfigured, it becomes fantastical and a sort of Edgar Poe-like unease stirs these worthless figures of the old Romanian capital." "Gallants of the Old Court" opens a fascinating universe in front of us, as well as explains usually untapped regions of the human soul, helping us to better understand not only most of the Byzantine, Balkan, and Romanian spirit, but also a large size of our own unexplored self. The translator has done a painstakingly perfectionist work in rendering the text into English in the best possible way and also explaining every detail that might help us understand the spirit and the letter of the original, even without any hint of knowledge of Romanian. "Gallants of the Old Court" is a great read and one of the masterpieces of world literature; and this translation is surely the best so far.

In the apocalyptic novel Coming from-Key Time, Bogdan Suceava satirizes events in his native Romania since the fateful end of the Ceauseseu regime in 1989. Using three interrelated narratives to illustrate the destructive power of Romanian society's most powerful mythologies, he depicts madness of all kinds---but especially religious beliefs and their perversion by outrageous seets. Here horror and humor reside impossibly in the same time and place, and readers experience the vertigo of living in the middle of a violent historical upheaval --

With over twenty percent more material, a must for any lover of distinctive words. This entertaining and informative reference features sophisticated and surprising alternatives to common words together with no-fail guides to usage. Avoiding traditional thesauruses’ mundane synonym choices, Peter E. Meltzer puts each word—whether it’s protrepic, apostrophize, iracund, or emulous—in context by using examples from a broad range of contemporary books, periodicals, and newspapers. His new introduction makes the case for why we should widen our vocabulary and use the one right word. This groundbreaking thesaurus remains a unique venture, one that enriches your writing while helping you find the perfect word.

The digital age has exercised considerable influence not only on language use but also on research and teaching in this field. The present volume showcases some aspects of language-related investigation that reflect the interests, experiences, and challenges of theorists, practitioners, and language instructors today. Drawing on the linguistic corpus, parallel texts in different languages and a variety of approaches and methodologies, the book features three main lines of inquiry: L1 syntactic structure, L1-L2 contact and transfer, and L2 pedagogy. The use of case-studies and authentic data makes Language and Communication in the Digital Age a valuable source of insights into some linguistic peculiarities of Romanian and English, and highlights new research avenues for specialists in language and communication.