Good Night Rajasthan features Jaipur, Amber Fort, Elephant Festival, Palaces of Shekhawati, potters and dip dyers of Sanganer, Mehrangarh Fort, holy Pushkar Lake, Jaisalmer, Bikaner, Udaipur, Chittorgarh, Thar Desert, and more. This delightful and educational board book tours little explorers around the magical city of Rajasthan. Children will discover all of their favorite landmarks and attractions. This book is part of the bestselling Good Night Our World series, which includes hundreds of titles exploring iconic locations and exciting, child-friendly themes. Many of India's most beloved regions are artfully celebrated in these board books designed to soothe children before bedtime while instilling an early appreciation for India's natural and cultural wonders. Each book stars a multicultural group of people visiting the featured area's attractions as rhythmic language guides children through the passage of both a single day and the four seasons while saluting the iconic aspects of each place.

Rajasthan- the land of rajas and maharajas, forts and palaces, deserts and ballads, the book covers a wide spectrum encompassing the political, socio-culural and economic history of Rajasthan from the earliest times up-to the middle of the twentieth century, in a comprehensive yet easy- to- read text. A History of Rajasthan uses various archival, epigraphical, numismatical, architectural, archaeological and arthistory related information as well as the traditional narratives and oral and written chronicles to provide a general overview of the city

The Tale Retold is as much about story-telling as it is about finding stories in situations where they may not easily be found. The title story examines with great sympathy the equations between a mother who feels helpless and hopeful in turns, a child who slowly comes to terms with his disability and a society which values soundness above all and makes no space for the differently abled. In Quest of a Story follows a middle-aged, retired man on his obsessive pursuit of a writer in the hope that he will become a subject of her narrative. A mother writes A Letter to Mrs D Souza, the principal of her daughter s school, in which she tries to negotiate some space for herself in a society where anything less than complete devotion to one s children is construed as culpable neglect. Alka Saraogi understands the undercurrents of the human mind and engages easily with the inner worlds of her characters. Her ability to look for the extraordinary within the ordinary and to elegantly shatter seemingly permanent stereotypes makes The Tale Retold an unforgettable collection.

Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance. Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him. The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting."

With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.