This is the extraordinary story of the foundation of what would become the major threat to the West during the Cold War--built by the Bolsheviks from nothing. There are more than 200 photographs, most previously unpublished. It includes all classes of battleships, cruisers, destroyers, submarines, and other surface vessels, with full specifications including builders, tonnage, speed, and armament. There is no other book available for the naval enthusiast on this subject, because the information was buried--despite the fact that, for example, the Soviet Union had more submarines than the Germans and the Americans put together at the start of World War II. This is a truly unique volume on a neglected area of military history. At the revolution, the Tsar's navy, such as it was, was obsolete and scattered, much of it never to return home. From a standing start a huge fleet was built by the Bolsheviks, who were obliged to deal with the West: engines from Italy, warship plans and gun turrets from Germany (in exchange for 3.5 million tons of food and material as late as February 1940). Stalin himself took a deadly, keen interest, insisting for example that at the last moment the boilers on a new Soviet destroyer class were repositioned. It was done! The pictorial content alone of Raising the Red Banner is of immense interest to naval enthusiasts and students of WWII.

Raising the Red Flag explores the origins of the British Marxist movement from the creation of the Social Democratic Federation to the foundation of the Communist Party. It tells a story of rising class struggle, the founding of the Labour Party, the fight against World War One, the Russian Revolution, and the explosive year of 1919. The book also uses new archival sources to re-examine Marxist organisations such as the British Socialist Party, the Socialist Labour Party, and Sylvia Parkhurst’s Workers’ Socialist Federation. Above all, this is the story of men and women who fought to liberate the working class from capitalism through socialist revolution.

In an 1867 that never was, the American colonies are finally gearing up to revolt against oppressive British rule enforced by advanced technology. British airship captain Hamilton Arkwright is captured by the rebels when his vessel is commandeered. The insurgents are also aided—reluctantly—by young Jonny Callahan, a thief and ne’er-do-well who would rather carouse on the streets of New Orleans than fight for independence. When the two seemingly opposite men are thrown together on a harrowing journey across the war-torn colonies, they must grudgingly rely on each other for survival. Despite their efforts to resist, the attraction between them threatens to throw a wrench in their plans to remain enemies. They battle their way through American guerillas and a demolition-derby-type highway to reach the decimated streets of Chicago, where British forces are preparing to commit a war crime of enormous magnitude. Though affection has grown between them during their mission, they are still on conflicting sides, and they may have to choose between loyalty to their causes and their love.

In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.

In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.

A practical guide to help you create beautiful and expressive processional banners for use in the liturgy, Sunday by Sunday, throughout the seasons of the church's year. Also includes guidance on using banners in the celebrations of baptism, confirmation, first communion, marriage and ordination, as well as on other special occasions in the life of the congregation.