This is the extraordinary story of the foundation of what would become the major threat to the West during the Cold War--built by the Bolsheviks from nothing. There are more than 200 photographs, most previously unpublished. It includes all classes of battleships, cruisers, destroyers, submarines, and other surface vessels, with full specifications including builders, tonnage, speed, and armament. There is no other book available for the naval enthusiast on this subject, because the information was buried--despite the fact that, for example, the Soviet Union had more submarines than the Germans and the Americans put together at the start of World War II. This is a truly unique volume on a neglected area of military history. At the revolution, the Tsar's navy, such as it was, was obsolete and scattered, much of it never to return home. From a standing start a huge fleet was built by the Bolsheviks, who were obliged to deal with the West: engines from Italy, warship plans and gun turrets from Germany (in exchange for 3.5 million tons of food and material as late as February 1940). Stalin himself took a deadly, keen interest, insisting for example that at the last moment the boilers on a new Soviet destroyer class were repositioned. It was done! The pictorial content alone of Raising the Red Banner is of immense interest to naval enthusiasts and students of WWII.

In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.

In an 1867 that never was, the American colonies are finally gearing up to revolt against oppressive British rule enforced by advanced technology. Airship captain Hamilton Arkwright and ne’er-do-well Jonny Callahan fight to prevent a war crime, and though affection grows between them, they remain on conflicting sides.

War on Autism examines autism as a historically specific and powerladen cultural phenomenon that has much to teach about the social organization of a neoliberal western modernity. Bringing together a variety of interpretive theoretical perspectives including critical disability studies, queer and critical race theory, and cultural studies, the book analyzes the social significance and productive effects of contemporary discourses of autism as these are produced and circulated in the field of autism advocacy. Anne McGuire discusses how in the field of autism advocacy, autism often appears as an abbreviation, its multiple meanings distilled to various “red flag” warnings in awareness campaigns, bulleted biomedical ”facts” in information pamphlets, or worrisome statistics in policy reports. She analyzes the relationships between these fragmentary enactments of autism and traces their continuities to reveal an underlying, powerful, and ubiquitous logic of violence that casts autism as a pathological threat that advocacy must work to eliminate. Such logic, McGuire contends, functions to delimit the role of the “good” autism advocate to one who is positioned “against” autism.

A practical guide to help you create beautiful and expressive processional banners for use in the liturgy, Sunday by Sunday, throughout the seasons of the church's year. Also includes guidance on using banners in the celebrations of baptism, confirmation, first communion, marriage and ordination, as well as on other special occasions in the life of the congregation.

The novel traces the life of Jean-Valjean, a 19th century Parisian peasant who steals a loaf of bread to feed his starving children, and thereby becomes criminalized as a convict. This story of how he struggles to escape his past and reaffirm his humanity, in a world brutalized by poverty and ignorance,has become a powerful social document and the gospel of the poor and the oppressed