On October 20, 2006, a middle-aged auto mechanic, Jeff Markin, walked into the emergency room at the Palm BeachGardensHospital and collapsed from a massive heart attack. Forty minutes later he was declared dead. After filling out his final report, the supervising cardiologist, Dr. Chauncey Crandall, started out of the room. "Before I crossed its threshold, however, I sensed God was telling me to turn around and pray for the patient," Crandall explained. With that prayer and Dr. Crandall's instruction to give the man what seemed one more useless shock from the defibrillator, Jeff Markin came back to life--and remains alive and well today. But how did a Yale-educated cardiologist whose Palm Beach practice includes some of the most powerful people in American society, including several billionaires, come to believe in supernatural healing? The answers to these questions compose a story and a spiritual journey that transformed Chauncey Crandall.

Raising the Dead is a groundbreaking, interdisciplinary exploration of death’s relation to subjectivity in twentieth-century American literature and culture. Sharon Patricia Holland contends that black subjectivity in particular is connected intimately to death. For Holland, travelling through “the space of death” gives us, as cultural readers, a nuanced and appropriate metaphor for understanding what is at stake when bodies, discourses, and communities collide. Holland argues that the presence of blacks, Native Americans, women, queers, and other “minorities” in society is, like death, “almost unspeakable.” She gives voice to—or raises—the dead through her examination of works such as the movie Menace II Society, Toni Morrison’s novel Beloved, Leslie Marmon Silko’s Almanac of the Dead, Randall Kenan’s A Visitation of Spirits, and the work of the all-white, male, feminist hip-hop band Consolidated. In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory. Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.

The fragility of health and robustness of imagination merge when a seemingly healthy man's legs collapse suddenly beneath him. Here, Richard Selzer relives his experiences of Legionnaire's Disease, allowing the reader a glimpse into his delirium as he skates the line between life and death.

Jesus tells his followers to feed the hungry, heal the sick, raise the dead, but often we’ve tamed this calling. Sara Miles, a passionate, funny, undomesticated Christian, tells what happened when she decided to follow Jesus into the messy diversity of human life and do exactly what he asked.

In this compendium on the topic of resurrection, the founder of the Dead Raising Team unveils the reality of what was accomplished on the cross, and how you can partake in its power. + How to be one that raises dead bodies to life ++ The commonality of dead raising in history+ + How your righteousness isn't determined by what you do + + How miracles can become common in your life ++ The extent to which Jesus is obsessively in love with you ++ How good God really is ++ How God didn't kill Ananias and Sapphira ++-How to get a passion for Jesus ++ -How To Overcome Debt +

In 2001, as Reinhard Bonnke debated whether or not to move his ministry to America, he did something he had never done before: he prayed for a sign to confirm that God truly was calling him to go to America. God was about to answer that prayer. A few days later, a woman brought her husband to the Nigerian church where Bonnke was preaching, in hopes that his partially embalmed body would be raised from the dead after three days in a coffin. Although Bonnke was unaware of this and never even prayed for the man, the woman’s husband, lying in the church basement, began to breathe again during the sermon. In front of thousands of witnesses, this man, who still couldn’t move because of rigor mortis, was raised back to life. After his message, Bonnke was besieged by a crowd yelling, “He’s breathing! He’s breathing!” This incredible miracle, now detailed for the first time, is part of a movement of God, birthed in a small African church and stretching around the world to America. It is the beginning of a work of God that will confirm His word to Bonnke: “America shall be saved.”

This engaging book demonstrates Shakespeare’s abiding interest in the theatrical potential of the Christian resurrection from the dead. In fourteen of Shakespeare’s plays, characters who have been lost, sometimes for years, suddenly reappear seemingly returning from the dead. In the classical recognition scene, such moments are explained away in naturalistic terms a character was lost at sea but survived, or abducted and escaped, and so on. Shakespeare never invalidates such explanations, but in his manipulation of classical conventions he parallels these moments with the recognition scenes from the Gospels, repeatedly evoking Christ’s resurrection from the dead. Benson’s close study of the plays, as well as the classical and biblical sources that Shakespeare fuses into his recognition scenes, clearly elucidates the ways in which the playwright explored his abiding interest in the human desire to transcend death and to live reunited and reconciled with others. In his manipulation of resurrection imagery, Shakespeare conflates the material with the immaterial, the religious with the secular, and the sacred with the profane.