El libro recopila diversos artículos del autor escritos a lo largo de los últimos años, en los que aborda facetas de la figura del hermano san Rafael Arnaiz Barón, del que en 2011 se cumplieron 100 años de su nacimiento.

Todas las páginas de Sembrar, revista diocesana de Burgos, del año 2009. En los 23 números de la revista publicados este año el lector podrá encontrar asuntos que ocuparon y preocuparon a la Iglesia en Burgos y en España, los temas candentes, las palabras del Arzobispo de Burgos al hilo de la actualidad o comentando temas fundamentales de la fe cristiana, entrevistas y artículos de opinión que nos ponen sobre la pista de lo que este 2009 fue, al menos desde la óptica de esta humilde publicación de la Archidiócesis de Burgos. También podrán encontrar reseñas de libros y de películas que pueden servir de orientación al lector.

What does it mean to live for God alone? “Prefer nothing to the love of Christ”; “My God and my all”; “God alone suffices”—these statements from the saints express the single desire that unified their hearts and gave direction to their lives. “God alone” was the constant theme of Saint Rafael Arnaiz (1911–1938), the expression of the search for God that informs any monastic vocation. Saint Rafael was profoundly and thoroughly a monk, even though ill health repeatedly forced him to leave the monastery, and he was never formally professed. With his single-hearted love for Christ and for the Blessed Virgin, he faithfully walked a path of trials and suffering that matured his faith, sharpened his longing, taught him to wait and to hope in God, and opened his heart to love. To Live for God Alone invites the reader into the compelling story of Rafael’s personal journey and into his penetrating insight into the cross and the Christian vocation.

Benito Pérez Galdós, considered Spain’s most important novelist after Cervantes, wrote 77 novels, several works of theater and a number of other tomes during his lifetime (1843–1920). His works have been translated into all major languages of the world, and many of his most highly regarded novels, those of the contemporary period, have been translated into English two, three and even four times over. Of the few “contemporary novels” of Galdós that until now have not come to light in English, The Forbidden is certainly among the most noteworthy. The story line concerns a wealthy philanderer, José María Bueno de Guzmán, who attempts to buy the favors of his three beautiful married cousins. He is successful with the first, Eloísa, a grasping materialist who falls deeply in love with him. Then he rejects her in order to attempt to seduce the youngest, Camila. Meanwhile, the third, the pseudo-intellectual María Juana, jealous, seduces José María. But it is Camila, healthy, impetuous and wild, who resists his temptations and holds our attention. The novelist and critic Leopoldo Alas, Galdós’s contemporary, calls her “the most feminine, graceful, lively female character that any modern novelist has painted.” As a naturalistic study, in the manner of Balzac in particular, principal characters of Galdós’s other novels (El doctor Centeno, La de Bringas, La familia de León Roch) become fleetingly visible in The Forbidden. In addition, the entire Bueno de Guzmán family gives evidence of the naturalistic emphasis on heredity: they all display certain physical or mental disorders. Eloísa has a morbid fear of feathers, María Juana often feels that she has a tiny piece of cloth caught in her teeth, José María suffers bouts of depression, an uncle is a kleptomaniac, one of the relatives writes letters to himself, etc. At the same time, this novel shows the foibles of Spanish society where status is determined by one’s associates, by the wearing of finery, and by living on borrowed money. In their history of Spanish literature, Chandler and Schwartz call Galdós “the greatest novelist of the nineteenth century and the only one who deserves to be mentioned in the same breath with great novelists like Balzac, Dickens and Dostoievsky.” The Forbidden, written at the height of the author’s creative powers, is a major work and its publication for an English-speaking audience is long overdue.