Detecting the South in Fiction, Film, & Television, edited by Deborah E. Barker and Theresa Starkey, examines the often-overlooked and undervalued impact of the U.S. South on the origins and development of the detective genre and film noir. This wide-ranging collection engages with ongoing discussions about genre, gender, social justice, critical race theory, popular culture, cinema, and mass media. Focusing on the South, these essays uncover three frequently interrelated themes: the acknowledgment of race as it relates to slavery, segregation, and discrimination; the role of land as a source of income, an ecologically threatened space, or a place of seclusion; and the continued presence of the southern gothic in recurring elements such as dilapidated plantation houses, swamps, family secrets, and the occult. Twenty-two critical essays probe how southern detective narratives intersect with popular genre forms such as neo-noir, hard-boiled fiction, the dark thriller, suburban noir, amateur sleuths, journalist detectives, and television police procedurals. Alongside essays by scholars, Detecting the South in Fiction, Film, and Television presents pieces by authors of detective and crime fiction, including Megan Abbott and Ace Atkins, who address the extent to which the South and its artistic traditions influenced their own works. By considering the diversity of authors and characters associated with the genre, this accessible collection provides an overdue examination of the historical, political, and aesthetic contexts out of which the southern detective narrative emerged and continues to evolve.

Antipodean soldiers and writers, meat carcasses and moa, British films and Kiwi tourists—throughout the last 150 years, people, objects and ideas have gone back and forth between New Zealand and London, defining and redefining the relationship between this country and the colonial center that many New Zealanders once called home. Exploring the relationship between a colony and its metropolis from Wakefield to the Wombles, it answers questions, including How did New Zealanders define themselves in relation to the center of British culture? and How did New Zealanders view London when they walked through King's Cross or saw the city in movies? By focusing on particular themes—from agricultural marketing to expatriate writers—this discussion develops a larger story about the construction of colonial and national identities.

Eleanor Roosevelt recognized the power of film and television, especially as educational tools to reach young people. She hosted three political talk shows in the 1950s and early 1960s, often appearing in guest spots to promote the United Nations, Democratic candidates, and progressive issues with Ed Sullivan, Bob Hope, Frank Sinatra, Mike Wallace, and Edward R. Murrow. In the 1930s and '40s, fan magazines such as Photoplay and Modern Screen published her opinions on the movies, and she boldly appeared in an interventionist prologue to the 1940 anti-Nazi film Pastor Hall. During World War II, she contributed to civil defense films and became a staple joke in Hollywood comedies. She also negotiated postwar representations of FDR on the big screen, culminating in 1960's Sunrise at Campobello, which portrayed her as the perfect wife. This book is the first to address Eleanor Roosevelt's moving image record and her relationship to film and television in the three decades from the 1932 presidential campaign to her death in 1962.

When Ozzie Nelson died in 1975, he was no longer a household name. For a guy who had created the longest-running TV sitcom in history, invented the rock video, and fronted one of the most successful big bands of the 1930s, it's baffling that Nelson has faded so far from American media memory. Larger than life offscreen--an attorney, college football star, cartoonist, songwriter, major band leader--Ozzie created a smaller-than-life TV persona, the bumbling average Dad who became known to the rock generation (which included his teen idol son Rick Nelson) as the essence of blandness. But America also saw Ozzie as their iconic Dad: not a "father knows best," since his pontifications usually proved flawed by the end of each episode, but the father who tried his best. This book is the only full-length biography of Ozzie Nelson since he published his memoirs in 1973. It treats the big band and early TV icon with affection and hints that American pop culture may owe more to Ozzie than is generally acknowledged.

The first official companion to the Emmy-winning Netflix cult-hit sci-fi television series that's fascinated millions of fans worldwide, with stunning visuals and never before seen behind-the-scenes content What becomes of humanity when it's fed into the jaws of a hungry new digital machine? Discover the world of Black Mirror in this immersive, illustrated, oral history. This first official book logs the entire Black Mirror journey, from its origins in creator Charlie Brooker's mind to its current status as one of the biggest cult TV shows to emerge from the UK. Alongside a collection of astonishing behind-the-scenes imagery and ephemera, Brooker and producer Annabel Jones will detail the creative genesis, inspiration, and thought process behind each film for the first time, while key actors, directors and other creative talents relive their own involvement.

This is Volume 42 of the Educational Media and Technology Yearbook. For the past 40 years, our Yearbook has contributed to the field of Educational Technology in presenting contemporary topics, ideas, and developments regarding diverse technology tools for educational purposes. Our Yearbook has inspired researchers, practitioners, and teachers to consider how to develop technological designs and develop curricula and instruction integrating technology to enhance student learning, teach diverse populations across levels with effective technology integration, and apply technology in interactive ways to motivate students to engage in course content. In addition, Volume 42 features the Virtual Reality (VR) and Augmented Reality (AR) research and educational use cases, organized and coordinated by Vivienne and David. This section provides evidence that the affordances of AR, VR, and mixed reality, defined as an immersive multi-platform experience reality (XR), have begun to make indelible changes in teaching and learning in the United States. XR’s recent developments stimulated the editors to propose a special edition to mark the interoperability of immersive technology to push the boundaries of human curiosity, creativity, and problem solving. After years of incremental development, XR has reached a critical level of investment, infrastructure, and emerging production. The chapters included in this section illustrate how XR can push user inquiry, engagement, learning, and interactivity to new levels within physical and digital contexts.