Offers key historical and interpretative texts on the development and role of "the screen" in communications and the social sphere.

Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.

"The Book of Mirrors" tries to let us see ourselves as we really are. We should have the answers to all our own questions, but if we don't see ourselves clearly - faults included - our answers can be distorted by vanities or ego. The poems ask: What do we want from our lives? Is it worth having? What would we like to change in ourselves and our circumstances? Are arguments worth the effort? Is anything achieved by them? Death is unavoidable and all our battles are in vain in the end, so we should choose what to defend, what to fight for and how much of the quality of our lives we are prepared to sacrifice in the process. If only we could make the best of what we are, with the abilities we are given - and develop - without being distracted by the conflicts and desires that too often define us, and which are ultimately unimportant. "The Book of Mirrors" examines the ideas of argument, resolution and the acceptance of what cannot be changed. It also includes poems relating to childhood memories, adolescent experiences and encounters with itinerant wildlife.

This history of radio news reporting recounts and assesses the contributions of radio toward keeping America informed since the 1920s. It identifies distinct periods and milestones in broadcast journalism and includes a biographical dictionary of important figures who brought news to the airwaves. Americans were dependent on radio for cheap entertainment during the Great Depression and for critical information during the Second World War, when no other medium could approach its speed and accessibility. Radio's diminished influence in the age of television beginning in the 1950s is studied, as the aural medium shifted from being at the core of many families' activities to more specialized applications, reaching narrowly defined listener bases. Many people turned elsewhere for the news. (And now even TV is challenged by yet newer media.) The introduction of technological marvels throughout the past hundred years has significantly altered what Americans hear and how, when, and where they hear it.

Exploring the beginnings of the most influential communications medium of all time, this work covers the history of early mechanical and later electronic means of television. It takes a chronological approach to the subject, from its theoretical conception in the late 1800s, through important market experiments just prior to World War II. Coverage is global and multilingual, with material from French, German, Russian, and English sources. Each chapter begins with a historical essay that places the period in context. After 1927, each chapter focuses on a single year. The coverage weaves together the discoveries and developments in all countries, reporting on the work of solitary inventors, as well as research teams. The text ties together annotated citations that make up the bulk of each chapter, and excerpts from important documents or eyewitness accounts. Each chapter also contains a chronology of the advances and breakthroughs during the period covered. The entire work is carefully cross-referenced and an indexed to provide easy access. Chronology. Index.