Explores the intricate relationships of postmodern poetics to the culture of network television, advertising layout, and the computer. Perloff argues that poetry today, like the visual arts and theater, is always "contaminated" by the language of mass media. Among the many poets Perloff discusses are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, Steve McCaffery, and preeminently, John Cage--Publisher.

This book offers a detailed look into the life and works of Pulitzer Prize-winning Jewish American poet George Oppen. Born in 1908 in New York State, Oppen spent parts of his life working as a die cutter and carpenter and later running a furniture factory. Like the work he did with his hands during those years, his poetry used basic materials; he favored short, simple nouns and focused on concrete objects rather than abstractions. This book examines the characteristics of Oppen's work, particularly his use of small and often odd phrasings and unusual line formations to express the ultimately inexpressible. The first three chapters delve into his primitive modes, language and materials. Subsequent chapters tackle his subjects: cityscapes, light and water, and then animals and their relation to human history and struggles. His final collection of poems, Primitive, is examined in its own chapter, which is followed by an exploration of recurring specific phrases and concrete images. The author demonstrates how Oppen's poetry restores to readers an essential dimension of communication and experience that has been ignored or forgotten.

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Explores the transformative reign of the Catholic King James VII and the revolution that brought about his fall

Essays explore the truth inside soldier talk about the Vietnam War

The contemporary consumer is bombarded with fear-inducing images and information. This media shower of imagery is equalled only by the sheer quantity of fear-assuaging products offered for our consumption. "The Politics of Everyday Fear" addresses questions raised by the saturation of social space by capitalized fear. Emphasizing the relatively neglected domain of what might be called "ambient" fear - continually rekindled, low-level fear that insinuates itself into people's daily routine, subtly reshaping their lives - "The Politics of Everyday Fear" approaches fear less as a psychological fixation than a fluid mechanism for the social control order of late capitalism. Brian Massumi is the author of "User's Guide to Capitalism and Schizophrenia: Deviations From Deleuze and Guattari" (1992) and with Kenneth Dean of "First and Last Emperors: the Absolute State and the Body of the Despot (1992)". He has translated many books and written many essays on contemporary discourses. This book is intended for undergraduates and graduate students in media studies, interdisciplinary cultural theory, comparative literature, postmodernism, Marxism and post-structuralist media theory.