Racial Attitudes in English-Canadian Fiction is a critical overview of the appearances and consequences of racism in English-Canadian fiction published between 1905 and 1980. Based on an analysis of traditional expressions in literature of group solidarity and resentment, the study screens English-Canadian novels for fictional representations of such feelings. Beginning with the English-Canadian reaction to the mass influx of immigrants into Western Canada after World War One, it examines the fiction of novelists such as Ralph Connor and Nellie McClung. The author then suggests that the cumulative effect of a number of individual voices, such as Grove and Salverson, constituted a counter-reaction which has been made more positive by Laurence, Lysenko, Richler and Clarke. The “debate” between these two sides, carried on in fictional and non-fictional writing, is seen to be in part resolved in synthesis after World War Two, as attitudes are forced by wartime alliances and intellectual pressures into a qualified liberalism. The author shows how single novels by Graham, Bodsworth, and Callaghan demonstrated a new concern for the exposure and eradication of racial discrimination, an attitude taken further by the works of Wiebe and Klein. The book concentrates on single texts that best portray deliberately or not, racist ideology or anti-racist arguments, and attempts to explain the arousal in Canada of such ideas.

Of all mankinds' vices, racism is one of the most pervasive and stubborn. Success in overcoming racism has been achieved from time to time, but victories have been limited thus far because mankind has focused on personal economic gain or power grabs ignoring generosity of the soul. This bibliography brings together the literature providing access by subject groupings as well as author and subject indexes. Contents: Racial Attitudes; Racism and Poverty; Hate Groups; Racial Justice; Racism and Politics; Race Discrimination; Racial Identity; Racism Around the World.

A History of Canadian Fiction is the first one-volume history to chart its development from earliest times to the present day. Recounting the struggles and the glories of this burgeoning area of investigation, it explains Canada's literary growth alongside its remarkable history. Highlighting the people who have shaped and are shaping Canadian literary culture, the book examines such major figures as Mavis Gallant, Mordecai Richler, Alice Munro, Margaret Atwood, Michael Ondaatje, and Thomas King, concluding with young authors of today whose major successes reflect their indebtedness to their Canadian forbearers.

What kind of a country is Canada beyond Quebec? With a referendum on Quebec sovereignty looming on the horizon, this is a question Canadians are being forced to ask. In Beyond Quebec scholars from a wide variety of disciplines examine the current political, cultural, economic, and social situation of Canada outside Quebec and speculate on the nature of a Canada that does not include Quebec on the present terms.

Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.

Versions of Jacki Huggins's 'Pretty deadly tidda business' have appeared in Hecate vol. 17, no. 1; 1991, I lndyk, ed.; Memory (Southerly 3, 1991) HarperCollins, Sydney, 1991; Second Degree Tampering, Sybylla Feminist Press, Melbourne, 1992. Laleen Jayamanne's 'Love me tender, love me true ... ' was first published in Framework 38139, 1992. A version of Smaro Kamboureli's 'Of black angels and melancholy lovers' appeared in Freelance (Saskatchewan Writers' Guild), xxi, 5 (Dec. 1991-Jan. 1992). Roxana Ng's 'Sexism, racism and Canadian nationalism' appeared in Race, Class, Gender: Bonds and Barriers, Socialist Studies/Etudes Socialistes: A Canadian Annual no. 5, 1989. Trinh Minh-ha's 'All-owning spectatorship' has also appeared in her collection of essays When the Moon Waxes Red, Routledge, NY, 1991.

This volume brings together essays which suggest that the relationship between Canada and Europe is a two-way process, as historically the traffic between them has been: either may have something to offer the other. Europe too acknowledges situations today in which difference and community are hard terms to reconcile. Difference refers to gender, sexuality, race, nationality, or language. Community is the collective understanding which must continually be renegotiated and reconstructed among these factors. The Canadian-European connection is one in which it seems especially appropriate to explore such circumstances. The topics covered include pioneer women's writing, transcultural women's fiction, canonical taxonomy of the contemporary novel, the city poem in Confederate Canada, poetry of the Great War, various ethno-cultural perspectives (Jewish, South Asian, Italian; Native reappropriations; Quebec cinema), literature and the media, and small-press publishing. Some of the authors treated: Sandra Birdsell, Nicole Brossard, Jack Hodgins, Henry Kreisel, Robert Kroetsch, Janice Kulyk Keefer, Archibald Lampman, Malcolm Lowry, Lesley Lum, Daphne Marlatt, Susanna Moodie, Bharati Mukherjee, Alice Munro, Frank Paci, and Susan Swan.