""Modern theology needs the rediscovery of the category of consolation. This book is rich of consolations because it takes the cry of lament seriously."" --Jurgen Moltmann ""A timely, accessible, and valuable book. The recovery of the biblical traditions of loss and hurt is intrinsically worth doing, more worth doing in an increasingly disestablished society."" --Walter Brueggemann, Columbia Theological Seminary, Emeritus ""This cross-disciplinary collaboration is . . . poignant and compelling testimony to the personal and communal power of lament and its importance to the practice of ministry. This book is the one that I have been waiting for."" --Christie Cozad Neuger, Brite Divinity School ""Few books in the literature of lament have drawn together so much material from the biblical, theological, and pastoral spheres as Rachel's Cry."" --Patrick D. Miller, Princeton Theological Seminary ""Honesty with God is the doorway to authentic hope and faith. . . . This is one of the most liberating books I have read in a long time."" --James Newton Poling, Garrett-Evangelical Theological Seminary ""This is the first book to bring scattered discussions together into one coherent whole . . . with deep Christian insight and conviction, with vivid examples, and with learning which is as gracefully communicated as it is broad and deep in its substance. I will be keeping it near at hand, so as to return to it often."" --Nicholas Wolterstorff, Yale University ""Rachel's Cry is not only a timely book, it is an urgently needed resource for people who long for a way to live with irrational suffering. Unless we recover the prayer of lament, we are in danger of being trapped in powerlessness, cynicism, and despair."" --Herbert Anderson, Catholic Theological Union, Emeritus ""I found it difficult to put this book down. Rachel's Cry convincingly argues that an authentic and empowering spirituality requires the language of lament and protest alongside praise and thanksgiving."" --Nancy J. Ramsay, Louisville Presbyterian Theological Seminary Kathleen M. Billman is dean of academic affairs and professor of pastoral theology and counseling at Lutheran School of Theology in Chicago. Daniel L. Migliore is Charles Hodge Professor of Systematic Theology at Princeton Theological Seminary.

From Colleen Hoover, the #1 New York Times bestselling author of It Starts with Us and It Ends with Us, a heart-wrenching love story that proves attraction at first sight can be messy. When Tate Collins meets airline pilot Miles Archer, she doesn't think it's love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her. Never ask about the past. Don’t expect a future. They think they can handle it, but realize almost immediately they can’t handle it at all. Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.

Presents the life of the high school student killed in the Columbine High School shooting, with reminiscences by her parents, siblings, and schoolmates, along with excerpts from her diaries in which she affirms her Christian faith.

"A cry is heard in Ramah, lamentations and bitter weeping, Rachel, weeping for her children, refusing to be comforted because they are no more." Jeremiah 31:15. Every year thousands of newly bereaved parents join Rachel in weeping for their children. After the murder of his son, Richard Dew joined this group. To aid his healing, he began writing poetry tracing his experiences. Rachel's Cry poetically traces the journey from devastation to reinvestment in life that most bereaved must parents take.

Lament, so prominent in the Christian canon, is neglected in the public worship and witness of most North American congregations. These essays by Princeton Theological Seminary faculty attest to the diverse ways in which lament is understood and practiced, and invite their recovery in all elements of the church's ministry.

A collection of 51 plays that features previously unpublished works, contemporary plays by women, and the modern classics.