Rachel Winters had nothing, won it all, and then lost everything. After the death of her daughter, grief-spawned delusions cause Rachel to lose her husband, her home, and custody of her son. Help arrives from two unlikely sources: a young teen, Lilly, battling her own demons, and a tattered holy card depicting Saint Therese of Lisieux. As Rachel grows closer to Lilly and comes to know Saint Therese, unbidden memories from her edgy past reveal fearful mysteries of seduction, madness, and murder . . . and a truth that will haunt her forever.

Sacred and profane, public and private, emotive and ritualistic, internal and embodied, medieval weeping served as a culturally charged prism for a host of social, visual, cognitive, and linguistic performances. Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts. Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying.