This is the first academic monograph to focus exclusively on issues of race, ethnicity, whiteness and multiculture at the English seaside. The book calls for acknowledgement of the racialised nature of this environment, and proposes that its distinctive spaces, places, traditions and narratives should be included within broader analyses of race in contemporary Britain. Introducing the concept of ‘coastal liquidity’ to explain shifting ethno-racial demographics, migratory politics and spatial dynamics at the edge of the sea, along with the relative im/mobilities of the minority ethnic communities who move and reside there, the author provides a relational exploration of seaside experiences: both as a locus of racialised categorisation, exclusion and subjugation, and one of resistance, conviviality and intercultural exchange. Combining theoretical insight and empirical fieldwork, the book disrupts dominant thinking that fixes ontologically minority ethnic bodies to urban spaces, and overcomes their erasure and silencing from the seaside landscapes of the popular imagination.

In 1917, Fort Ord was established in the tiny subdivision of Seaside, California. Over the course of the 20th century, it held great national and military importance—a major launching point for World War II operations, the first base in the military to undergo complete integration, the West Coast's most important training base for draftees in the Vietnam War, a site of important civil rights movements—until its closure in the 1990s. Alongside it, the city of Seaside took form. Racial Beachhead offers the story of this city, shaped over the decades by military policies of racial integration in the context of the ideals of the American civil rights movement. Middle class blacks, together with other military families—black, white, Hispanic, and Asian—created a local politics of inclusion that continues to serve as a reminder that integration can work to change ideas about race. Though Seaside's relationship with the military makes it unique, at the same time the story of Seaside is part and parcel of the story of 20th century American town life. Its story contributes to the growing history of cities of color—those minority-majority places that are increasingly the face of urban America.

Sandscapes: Writing the British Seaside reflects on the unique topography of sand, sandscapes, and the seaside in British culture and beyond. This book brings together creative and critical writings that explore the ways sand speaks to us of holidays and respite, but also of time and mortality, of plenitude and eternity. Drawing together writers from a range of backgrounds, the volume explores the environmental, social, personal, cultural, and political significance of sand and the seaside towns that have built up around it. The contributions take a variety of forms including fiction and nonfiction and cover topics ranging from sand dunes to sand mining, from seaside stories to shoreline architecture, from sand grains to global sand movements, from narratives of the setting up of bed and breakfasts to stories of seaside decline. Often a symbol of aridity, sand is revealed in this book to be an astonishingly fertile site for cultural meaning.

This volume celebrates the 40th Anniversary of Ethnic and Racial Studies. It reproduces eleven classic papers published in the journal, accompanied by discussions of each paper by invited specialists, and responses from the original authors. The various discussions in this volume provide an insight into the evolution of contemporary debates and controversies in the field of ethnic and racial studies. By bringing together these papers in one volume for the first time, this book explores a number of on-going debates about race and ethnicity.

This is the first handbook devoted entirely to leisure theory, charting the history and philosophy of leisure, theories in religion and culture, and rational theories of leisure in the Western philosophical tradition, as well as a range of socio-cultural theories from thinkers such as Adorno, Bauman, Weber and Marx. Drawing on contributions from experts in leisure studies from around the world, the four sections cover: traditional theories of leisure; rational theories of leisure; structural theories of leisure; and post-structural theories of leisure. The Palgrave Handbook of Leisure Theory is essential reading for students and scholars working in leisure studies, social theory as well as those working on the problem of leisure in the wider humanities and social sciences.

Leisure, Racism, and National Populist Politics responds to the rise and revival of nationalistic, ethnocentric, and authoritarian forms of hegemony, power, and control. Importantly, as a collection of essays, it foregrounds and (re)politicises debates around race and racism, recognising the significance of leisure spaces to the emergence of bottom-up, polymorphous, and dynamic forms of community, resistance, and belonging. A range of authors present a critical and varied exploration of the global manifestations of state-based, increasingly mainstream, racist politics, whilst concomitantly unpicking connected assemblages of power and control. For example: how homonormativity and whiteness structure queer visibility, sexual and civic rights; how white supremacist rhetoric is transformed and differently coded through anti-Black university traditions and state pride; how Western nation-states structure Muslim identity as opposite to national identity; how leisure becomes the site of protest against larger classist and corporate ventures; and how the hegemony of neoliberal, state, and municipal planning practices, and policies about rights to spaces of the neighbourhood, city, and sport, are understood, negotiated, and challenged. The book serves to not only enhance understanding of populist politics but, also, to demand an end to ethnic and racial violence perpetuated through nationalistic and racialised discourses about belonging, citizenship, and social rights to the nation. This edited volume will be a key resource for students and scholars interested in the dynamics of race, gender, and nation, and the politics of belonging in the realm of leisure. The chapters in this book were originally published as a special issue of Leisure Studies.

Much has been written about the Walt Disney Company's productions, but the focus has largely been on animation and feature film created by Disney. In this essay collection, the attention is turned to The Disney Channel and the programs it presents for a largely tween audience. Since its emergence as a market category in the 1980s, the tween demographic has commanded purchasing power and cultural influence, and the impressionability and social development of the age group makes it an important range of people to study. Presenting both a groundbreaking view of The Disney Channel's programming by the numbers and a deep focus on many of the best-known programs and characters of the 2000s--shows like The Wizards of Waverly Place, That's So Raven and Hannah Montana--this collection asks the simple questions, "What does The Disney Channel Universe look and sound like? Who are the stories about? Who matters on The Disney Channel?"