How is decadence being staged today – as a practice, issue, pejorative, and as a site of pleasure? Where might we find it, why might we look for it, and who is decadence for? This book is the first monographic study of decadence in theatre and performance. Adam Alston makes a passionate case for the contemporary relevance of decadence in the thick of a resurgent culture war by focusing on its antithetical relationship to capitalist-led growth, progress, and intensified productivity. He argues that the qualities used to disparage the study and practice of theatre and performance are the very things we should embrace in celebrating their value – namely, their spectacular uselessness, wastefulness, outmodedness, and abundant potential for producing forms of creativity that flow away from the ends and excesses of capitalism. Alston covers an eclectic range of examples by Julia Bardsley (UK), Hasard Le Sin (Finland), jaamil olawale kosoko (USA), Toco Nikaido (Japan), Martin O'Brien (UK), Toshiki Okada (Japan), Marcel·lí Antúnez Roca (Spain), Normandy Sherwood (USA), The Uhuruverse (USA), Nia O. Witherspoon (USA), and Wunderbaum (Netherlands). Expect ruminations on monstrous scenographies, catatonic choreographies, turbo-charged freneticism, visions of the apocalypse – and what might lie in its wake.

This provocative study examines Theodore Roosevelt’s ideas about race, focusing especially on his attitude toward blacks, American Indians, immigration, and imperialism. Thomas G. Dyer gives careful attention to formal and nonformal aspects of Roosevelt’s thought, as revealed in his voluminous published works and personal papers. Dyer’s book asks a number of important questions. In what proportions do popular thought and formal racial theory appear in Roosevelt’s attitudes? What was the intellectual context of his speculations on race? How was his racial thought related to broader areas of intellectual activity such as natural science and social philosophy? How did Roosevelt regard various white and nonwhite ethnic groups? How did Roosevelt’s racial thought conform to the prevailing philosophies of the late nineteenth and early twentieth centuries? Historians have traditionally disagreed about the character of Theodore Roosevelt’s racial ideology. Dyer’s illuminating study clarifies many of the relevant issues by viewing Roosevelt’s racial theory as an integrated whole.

In this intellectual history-making volume, multiple award-winning W. E. B. Du Bois scholar Reiland Rabaka offers the first book-length treatment of Du Bois's seminal sociological discourse: from Du Bois as inventor of the sociology of race to Du Bois as the first sociologist of American religion; from Du Bois as a pioneer of urban and rural sociology to Du Bois as innovator of the sociology of gender and inaugurator of intersectional sociology; and, finally, from Du Bois as groundbreaking sociologist of education and critical criminologist to Du Bois as dialectical critic of the disciplinary decadence of sociology and the American academy. Against Epistemic Apartheid brings new and intensive archival research into critical dialogue with the watershed work of classical and contemporary, male and female, black and white, national and international sociologists and critical social theorists' Du Bois studies. Against Epistemic Apartheid offers an accessible introduction to Du Bois's major contributions to sociology and, therefore, will be of interest to scholars and students not only in sociology, but also African American studies, American studies, cultural studies, critical race studies, gender studies, and postcolonial studies, as well as scholars and students in 'traditional' disciplines such as history, philosophy, political science, economics, education, and religion.

DigiCat Publishing presents to you this special edition of "The Moral and Intellectual Diversity of Races" (With Particular Reference to Their Respective Influence in the Civil and Political History of Mankind) by Arthur comte de Gobineau. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.