Rachel, Cassie, and Joey live in the city with their Pop, until Pop's search for work lands the family on a run down farm. Dreamy Rachel loves to read, and doesn't know much about the country. Times are hard there, too—the school and library are closed. When Pop gets work near Canada, he has to leave the children on the farm alone. For two months! But Rachel's the oldest, and she'll make sure they're all right. Somehow.

Lyrical, imaginative, and wholly original, this New York Times bestseller with 8 starred reviews is not to be missed. Rachel Hartman’s award-winning debut will have you looking at dragons as you’ve never imagined them before… In the kingdom of Goredd, dragons and humans live and work side by side – while below the surface, tensions and hostility simmer. The newest member of the royal court, a uniquely gifted musician named Seraphina, holds a deep secret of her own. One that she guards with all of her being. When a member of the royal family is brutally murdered, Seraphina is drawn into the investigation alongside the dangerously perceptive—and dashing—Prince Lucien. But as the two uncover a sinister plot to destroy the wavering peace of the kingdom, Seraphina’s struggle to protect her secret becomes increasingly difficult… while its discovery could mean her very life. "Will appeal to both fans of Christopher Paolini’s Eragon series and Robin McKinley’s The Hero and the Crown." —Entertainment Weekly “[A] lush, intricately plotted fantasy.” —The Washington Post "Beautifully written. Some of the most interesting dragons I've read." —Christopher Paolini, New York Times bestselling author of Eragon

"A deeply moving personal testimony... Theatre can't change the world. But what it can do, when it's as good as this, is to send us out enriched by other people's passionate concern."--Guardian Intensely topical account of the life and early death of a young female activist--adapted from her own writings and published alongside the premiere.

"A brutal, incredibly bizarre exploration of insanity, guilt, love, and the darkness inside all of us . . . This novel is a hybrid monster that's part Lovecraftian nightmare and part literary exploration of evil." —Gabino Iglesias, NPR Emma is hitchhiking across the United States, trying to outrun a violent, tragic past, when she meets Lowell, the hot-but-dumb driver she hopes will take her as far as the Badlands. But Lowell is not as harmless as he seems, and a vicious scuffle leaves Emma bloody and stranded in an abandoned town in the Black Hills with an out-of-gas van, a loaded gun, and a snowstorm on the way. The town is eerily quiet and Emma takes shelter in a diner, where she stumbles across Earl, a strange little boy in a tinfoil mask who steals her gun before begging her to help him get rid of “George.” As she is pulled deeper into Earl’s bizarre, menacing world, the horrors of Emma’s past creep closer, and she realizes she can’t run forever. Tinfoil Butterfly is a seductively scary, chilling exploration of evil—how it sneaks in under your skin, flaring up when you least expect it, how it throttles you and won't let go. The beauty of Rachel Eve Moulton's ferocious, harrowing, and surprisingly moving debut is that it teaches us that love can do that, too.

The Top 10 New York Times bestseller ‘I was completely blown away by The Wife Upstairs. This is a compulsive, irresistible retelling of Jane Eyre with a modern, noir twist – and wow, does it work’ Samantha Downing, bestselling author of My Lovely Wife

From Colleen Hoover, the #1 New York Times bestselling author of It Starts with Us and It Ends with Us, a heart-wrenching love story that proves attraction at first sight can be messy. When Tate Collins meets airline pilot Miles Archer, she doesn't think it's love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her. Never ask about the past. Don’t expect a future. They think they can handle it, but realize almost immediately they can’t handle it at all. Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.

INSTANT NEW YORK TIMES BESTSELLER “A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On “This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology. When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.