The R.Crumb Handbook tells the story of how a loser-schmuck became a culturalcon, and is more than just another celebrity tell-all sexploitation. Thisrand new hardback collection of original cartoons with never beforeublished work, takes the reader on a unique journey through the life andimes of one of the 20th century's most notorious and influential counterulture artists.;"Crumbs material comes out of a deep sense of the absurdityf human life." - Robert Hughes, Art Critic;The only underground cartoonisto be accepted by the fine art world, the R.Crumb Handbook is divided intohe four enemies of man: FEAR; CLARITY; POWER; OLD AGE;Working with his oldrinking buddy and co-author Pete Poplasky, the four chapters are easilyigested. With over 400 pages of cartoons and photographs, Crumb's oftenontroversially-regarded views toward Disneyland, growing up in America,ippie love, art galleries, and turning 60 are revealed.;By tracing hisevelopment as a cartoonist from his tormented childhood in the 1940s througho his coming of age as an artist in the psychedelic revolution of the 1960s,

A collection of cartoonist Crumb's work, ranging from his earliest comics published in the mid sixties, to work completed in the nineties with his comentaries interspersed thoughout the book.

This exclusive collection of haunting images of people and places reveals the tender side of R. Crumb, a 1960s counter-culture artist who broke into the fine art world with great acclaim.

In this collection of interviews that spans from the late 1960s to the beginning of the twenty-first century, the comic artist proves to be iconoclastic, opinionated, and impervious to the commercial moods of the public

The stories are presented in luxurious format and binding. Two editions are available: 500 numbered copies in a Deluxe cloth slipcase and signed by Robert Crumb; and a special edition with an original artwork, limited to ten copies (price on request).

A collection of comic strips by Robert Crumb that were inspired by his love of blues music. 'Contains adult content.

Contributions by José Alaniz, Ian Blechschmidt, Paul Fisher Davies, Zanne Domoney-Lyttle, David Huxley, Lynn Marie Kutch, Julian Lawrence, Liliana Milkova, Stiliana Milkova, Kim A. Munson, Jason S. Polley, Paul Sheehan, Clarence Burton Sheffield Jr., and Daniel Worden From his work on underground comix like Zap and Weirdo, to his cultural prominence, R. Crumb is one of the most renowned comics artists in the medium’s history. His work, beginning in the 1960s, ranges provocatively and controversially over major moments, tensions, and ideas in the late twentieth and early twenty-first centuries, from the counterculture and the emergence of the modern environmentalist movement, to racial politics and sexual liberation. While Crumb’s early work refined the parodic, over-the-top, and sexually explicit styles we associate with underground comix, he also pioneered the comics memoir, through his own autobiographical and confessional comics, as well as in his collaborations. More recently, Crumb has turned to long-form, book-length works, such as his acclaimed Book of Genesis and Kafka. Over the long arc of his career, Crumb has shaped the conventions of underground and alternative comics, autobiographical comics, and the “graphic novel.” And, through his involvement in music, animation, and documentary film projects, Crumb is a widely recognized persona, an artist who has defined the vocation of the cartoonist in a widely influential way. The Comics of R. Crumb: Underground in the Art Museum is a groundbreaking collection on the work of a pioneer of underground comix and a fixture of comics culture. Ranging from art history and literary studies, to environmental studies and religious history, the essays included in this volume cast Crumb's work as formally sophisticated and complex in its representations of gender, sexuality, race, politics, and history, while also charting Crumb’s role in underground comix and the ways in which his work has circulated in the art museum.