From the quote afficionado to the historical researcher, fans of Bartlett's will be thrilled to see this edition of quotations from the great William Shakespeare. Collecting quotes from his many works into one beautiful volume, Bartlett's Shakespeare Quotations is essential as a reference tool and makes for some wonderful browsing. Quotes culled from Bartlett's Familiar Quotations are organised by play or sonnet in chronological order and capture a unique view of Shakespeare's life and work. From King Henry VI to The Tempest (and even the epitaph on his grave) this volume will delight both researchers and casual readers as it highlights one of the most beguiling and beloved playwrights in history.

Who said " Neither a lender nor a borrower be"? Who are the star-crossed lovers? Which Shakespearean lady protests "too much"? If you have ever been stuck trying to identify a Shakespearean quote then this is the book for you! With over 3,000 quotes from single lines to quite long extracts, organized by topic and by play, this is an essential book for anyone with an interest in Shakespeare. The key word index makes it easy to use and it also includes a glossary of unfamiliar terms and a brief biography of Shakespeare. The Dictionary is easy to dip into by word or theme (love, greed, disease, war etc) or by play, and the indexes allow readers to track down a half-remembered quote easily. An ideal companion for all students, teachers or performers of Shakespeare, this Dictionary is a useful and entertaining reference work.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

With over 500 offerings from the most quoted writer in the English language, this modestly priced volume provides a luxurious assortment of memorable and profound thoughts. Conveniently arranged by topic, the source of each quote is fully identified for subjects ranging from love and marriage to truth, beauty, death, music, and more. An ideal resource for writers, speakers, students of literature, and any lover of Shakespeare’s works.

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

The tragedy of Romeo and juliet - the greatest love story ever.