"A female private detective in Bologna attempts to unravel the circumstances surrounding her sister's death"--

As Trevor, Victoria and Lord Pennywort prepare to travel to the stars, Trevor is both anxious and excited with the knowledge he is to meet the mother he has no memory of. The Antarctic is melting and because of this, unknown tiny embryos are gently thawing. These embryos are going to have a tremendous effect on the Earth and it's inhabitants. Ahriman Hasatan is contemplating his future and the changes he needs to make; to his character, his reputation and his name. The Syriusians are playing the waiting game, with a wary eye on the Entity and the Lever, hoping that they will have sufficient time to achieve their aims.

"An epic saga of love, courage and devotion in Nero's time, Quo Vadis portrays the degenerate days leading to the fall of the Roman empire and the glory and the agony of early Christianity. Set at a turning point in history (A.D. 54-68), as Christianity replaces the era of corruption and gluttony that marked Nero's Rome, Quo Vadis brims with life."--Publisher description.

The adventures of Tom, a sooty little chimney sweep with a great longing to be clean, who is stolen by fairies and turned into a water baby.

Sara Paretsky is a world-renowned author, highly regarded for her V.I. Warshawski series, which has revolutionized the conventions of the crime fiction genre by presenting a feminist perspective. The notion that crime fiction is merely a popular genre meant for pure ""entertainment"" has particularly been reconsidered, as Paretsky's novels serve a pedagogical purpose in capturing the reader's awareness of different social concerns. It has become evident that various female authors of crime fict ...

THE STORY: Utilizing the simple yet most imaginative theatrical techniques, and taking all of America as its target, the play offers scathing comments on the rigid socioeconomic stratification of modern society. The catalyst is one Horace Elgin, a

Tracks the influence of Italian cinema on American film from the postwar period to the present. In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allen’s To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allen’s The Purple Rose of Cairo (1985) as well as with Neil LaBute’s Nurse Betty (2000). Tarantino’s Kill Bill saga (2003, 2004) plays off elements of Sergio Leone’s spaghetti Western C’era una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantino’s Oscar-winning Django Unchained (2012). Lee Daniels’s Precious (2009) and Spike Lee’s Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange.