How do otherwise decent people become mesmerized by a doctrine of hate? How can its grip be broken? In seeking answers to these pressing questions for our times, Barbara Leimsner confronts the past to discover how one ordinary man—her adored German papa—became thoroughly indoctrinated with Nazi ideology during the Hitler years. Its hateful tentacles reached into her young life as he filled her head with beliefs about Aryan superiority, racist stereotypes, and conspiracy theories. Leimsner sweeps the reader from immigrant working-class life in 1960s suburban Ontario, back to fascism’s rise in her father’s former Sudeten homeland and into war. As she weaves together the roots of her shameful inheritance, she also discovers deeper truths about herself—and the cure for hate. This thoughtful, compelling story will appeal to anyone concerned about the resurgence of racism, nationalism, and far-right ideologies today, and those interested in the Nazi legacy and Second World War. It will speak to all readers with German ancestry grappling with the past, and those interested in the immigrant experience, issues of inter-generational memory, identity, and trauma.

How do otherwise decent people become mesmerized by a doctrine of hate? How can its grip be broken? In seeking answers to these pressing questions for our times, Barbara Leimsner confronts the past to discover how one ordinary man—her adored German papa—became thoroughly indoctrinated with Nazi ideology during the Hitler years. Its hateful tentacles reached into her young life as he filled her head with beliefs about Aryan superiority, racist stereotypes, and conspiracy theories. Leimsner sweeps the reader from immigrant working-class life in 1960s suburban Ontario, back to fascism’s rise in her father’s former Sudeten homeland and into war. As she weaves together the roots of her shameful inheritance, she also discovers deeper truths about herself—and the cure for hate. This thoughtful, compelling story will appeal to anyone concerned about the resurgence of racism, nationalism, and far-right ideologies today, and those interested in the Nazi legacy and Second World War. It will speak to all readers with German ancestry grappling with the past, and those interested in the immigrant experience, issues of inter-generational memory, identity, and trauma.

This comics anthology includes Krigstein’s most famous story ― which broke both aesthetic and narrative boundaries ―plus material that’s never been reprinted since the 1950s. In addition to "Master Race,” this volume includes “The Flying Machine” (based on a story by Ray Bradbury). Other stories include: “Slave Ship,” an unpublished science fiction tale that was only discovered in the decades following EC’s demise, “The Monster From The Fourth Dimension,” a horror/science fiction shocker that has never been reprinted since its original appearance in 1954, and other Krigstein crime, horror, war, and science fiction stories covering the full gamut of EC titles, including Tales From the Crypt, Crime SuspenStories, Shock SuspenStories, Aces High, and Incredible Science Fiction.

The third issue of the only comic that puts a magic city and its mayor under the microscope. More woes for the Mayor as he faces an election hot on the heels of an influx of goblin immigrants while the Wizards' Guild, his deputy and a demon in the shadows queer his pitch. The Goblin King loses his crowd, Samos Treek continues to run round like a headless chicken and Murgatroyd's misery leads to many heads being lost...

God's Grand Design By: William R. Arnold, Edited by Ms. Aurora Payad-Arnold God’s Grand Design is to restore mankind to its original state of sacred perfection after Adam and Eve fell and created the original sin of disobedience, hiding, and lying to the Lord. When God cursed the serpent for tempting Adam and Eve to be like God, he promised to send his only begotten Son to save humanity. He did via the incarnate word in the womb of the immaculately conceived Virgin Mary. God wants to be man and receive a new body to defeat death through Jesus Christ. Man wants to become God to receive eternal life. Man’s journey to become God starts from being an ignorant baby gaining knowledge, to a cowardly teenager obtaining courage, to an adult converting greed to generosity, to a wise man changing selfishness to unselfishness, and at last, to a free man able to think for himself in eternal service to God in his kingdom. The journey requires him to know right from wrong, good from evil, and God’s will from man’s will and thus defeat evil, worldly temptations, and demonic possession. Through Christ, God and man are destined to become one through three advents, making the God/Man Christ into the new human spirit (blessings). Then, the Man/God Jesus becomes the new human flesh to make all things perfect in the sight of God. Jesus Christ came as a priest on a donkey to decode the Torah, bring knowledge, and remove blindness to defeat sin. By his death and resurrection, he granted free redemption to man’s flesh to give him a new body. The second coming of Jesus Christ as thief in the night will bring awakening to remove deafness by teaching God’s truths to defeat evil. As a just judge on a cloud on his third advent, the Lord will remove mankind’s dumbness to defeat death. And then man can become worthy of receiving God’s rewards of paradise in heaven or heaven on earth.

From 1922 until his death in 1954, Wilhelm Furtwängler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwängler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwängler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwängler. He surveys Furtwängler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwängler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwängler single-handedly tried to prevent evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Göring from annihilating Germany's musical life. He shows how Furtwängler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven. Shirakawa also presents moving and overwhelming evidence of Furtwängler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwängler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwängler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure.