Betrayal has a deep fascination. It captures our imagination in part because we have all betrayed or been betrayed, in small or large ways. Despite this there has been little serious work on the subject. It was this absence that inspired this book.As Akerstrom notes, betrayal is something that most people have encountered at some point in their lives. She defines betrayal as a breach of trust, when information is shared beyond an agreed upon boundary of relations, whether that boundary is a pair of friends or a nation. Taking as a point of departure Simmers work on secrets and secrecy, Akerstrom discusses categories of.betrayal, and conditions that influence its intensity. Sometimes the betrayer is seen as a hero and at other times a traitor; and sometimes there are competing loyalties. In certain situations, she reminds us, it is difficult to avoid betrayal or the perception of betrayal. Akerstrom discusses strategies people employ to avoid betraying, ranging from not telling, to making sure one does not know about something in the first place. With deft precision, she clarifies distinctions and in the process broadens our understanding.Initially inspired by insights arising from her research on the criminal informer, for which she had done in-depth interviews, Akerstrom supplements these with interviews with policemen. She has also drawn from her experiences in the field of social work, particularly with women's and crime shelters. Using biographies, autobiographies and a broad range of literature related to spies, World War II, the McCarthy era, and recent literature on whistle-blowing, Akerstrom has defined a fascinating theme. While her illustrations are sometimes dramatic, she hopes that readers will perceive obvious parallels with their own experiences. Social psychologists, sociologists, criminologists, and others interested in secrecy, secrets, and those who betray them to others will find this an unusual and absorbing volume.

The African World in Dialogue: An Appeal to Action! is a probing and politically timely collection of essays, interviews, speeches, poetry, short stories, and proposals. These rich works illuminate the struggles, dreams, triumphs, impediments, and diversity of the contemporary African world. The African World in Dialogue contains five sections: "Listen: The Ink Speaks"; "Restitutions, Resolutions, Revolutions"; "Africanity, Education, and Technology"; "Life Lines from the Front Lines"; and "Gender, Power, and Infinite Promise." Each section brims with provocative and compelling insights from elder-warriors, wordsmiths, journalists, and academics, many of whom are also activists. The volume's contributors include Tunde Adegbola, Muhammad Ibn Bashir, Jacqueline Bediako, Charlie Braxton, Alieu Bundu, Baba A. O. Buntu, Chinweizu, Ricardo Cortez Cruz, Oyinlola Longe, Jumbe Kweku Lumumba, Morgan Miller, Asiri Odu, Chinwe Ezinna Oriji, Kevin Powell, Blair Marcus Proctor, Ishola Akindele Salami, Aseret Sin, Teresa N. Washington, and Ayoka Wiles. The book also features interviews with Hilary La Force, Mandingo, Kambale Musavili, and Prince Kuma N’dumbe. With selections designed to critique and in many cases upend conventional political thought, educational norms, fantasies of social progress, and gender myths, The African World in Dialogue challenges its audience. The book’s “Appeal to Action” is literal: Rather than offering eloquent elaborations of African world woes, The African World in Dialogue offers detailed plans and paths for emancipation and elevation that readers are urged to implement. Activists and scholars of African studies, African American studies, Pan-Africanism, criminal justice, Black revolutionary thought and action, gender studies, sociology, and political science will find this book to be both inspirational and indispensable.

The book thus seeks to trace the construction and contestation of the central axes around which its political frontiers were organized.

DIVA literary study of South African cultural changes since the end of apartheid from 1980 to present./div

Teacher and Comrade explores South African resistance in the twentieth century, before and during apartheid, through the life of Richard Dudley, a teacher/politico who spent thirty-nine years in the classroom and his entire life fighting for democracy. Dudley has given his life to teaching and politics, and touched and influenced many people who continue to work for democracy in South Africa and abroad. Whether it was students, comrades, or opposition, life was always teaching and relational for Dudley. He challenged power throughout the apartheid era, and his foundational beliefs in anti-imperialism and nonracialism compel him to continue to talk, teach, and speak to power. Through Dudley's story, Teacher and Comrade provides a rare portrait of both Cape Town and South Africa, as well as the struggle against racism and apartheid.

Snow on the Cane Fields was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a probing analysis of creole women's writing over the past century, Judith Raiskin explores the workings and influence of cultural and linguistic colonialism. Tracing the transnational and racial meanings of creole identity, Raiskin looks at four English-speaking writers from South Africa and the Caribbean: Olive Schreiner, Jean Rhys, Michelle Cliff, and Zoë Wicomb. She examines their work in light of the discourses of their times: nineteenth-century "race science" and imperialistic rhetoric, turn-of-the-century anti-Semitic sentiment and feminist pacifism, postcolonial theory, and apartheid legislation. In their writing and in their multiple identities, these women highlight the gendered nature of race, citizenship, culture, and the language of literature. Raiskin shows how each writer expresses her particular ambivalences and divided loyalties, both enforcing and challenging the proprietary British perspective on colonial history, culture, and language. A new perspective on four writers and their uneasy places in colonial culture, Snow on the Cane Fields reveals the value of pursuing a feminist approach to questions of national, political, and racial identity. Judith Raiskin is assistant professor of women's studies at the University of California, Santa Barbara.

David Houze was twenty-six and living in a single room occupancy hotel in Atlanta when he discovered that three little girls in an old photo he'd seen years earlier were actually his sisters. The girls had been left behind in South Africa when Houze and his mother fled the country in 1966, at the height of apartheid, to start a new life in Meridian, Mississippi, with Houze's American father. This revelation triggers a journey of self-discovery and reconnection that ranges from the shores of South Africa to the dirt roads of Mississippi—and back. Gripping, vivid, and poignant, this deeply personal narrative uses the unraveling mystery of Houze's family and his quest for identity as a prism through which to view the tumultuous events of the civil rights movement in Mississippi and the rise and fall of apartheid in South Africa. Twilight People is a stirring memoir that grapples with issues of family, love, abandonment, and ultimately, forgiveness and reconciliation. It is also a spellbinding detective story—steeped in racial politics and the troubled history of two continents—of one man's search for the truth behind the enigmas of his, and his mother's, lives.