Witnessing the cruelty of the emperor Nero during the burning of Rome, sixteen-year-old Quintus, a tent maker, must decide how to reconcile his own beliefs with those of the new Christian religion.

From New York Times and USA Today Bestselling Author Kym Grosso Powerful vampire, Quintus Tullius, returns to New Orleans after a demon attacks. Elusive and lethal, he conceals his true powers from all others, wielding his strength over the centuries as he sees fit. When he’s healed by an attractive stranger, he quickly realizes her altruistic actions are driven by more than kindness, and she is not who she appears to be. Unsure if he can trust the dangerous beauty, he swears to protect her, captivated by the one creature he’d never expected to flame his desire. Gabriella Savoie has been on the run since she was thirteen years old. Determined to survive, she practices a unique blend of magick to hide from the coven who seeks her death. Desperate, she leads a treacherous existence in underground clubs, selling her mystical blood to vampires to survive. Drawn to the one person who can save her, she spirals into an erotic journey, exploring her hidden fantasies within the arms of the seductive vampire. From Louisiana to New York, their sensual and perilous adventure leads them to discover ancient secrets, searching for the artifact that will set her beast free. As Gabriella accepts her fate, will she sacrifice her magick to be with the vampire who is her true mate? Will Quintus trust her and reveal his powers, acknowledging the unexpected bond to a woman who isn’t human? And will he be able to save her, thwarting the impending evil that descends on Big Easy?

The “Events after Homer”, described by Quintus Smyrnaeus in the third century AD in his Greek epic Posthomerica, are an attempt to bridge the gap between the Iliad and the Odyssey , and to combine the various scattered reports of the battle for Troy into a single tale: the fate of Achilles, Ajax, Paris and the Amazon Penthesileia, the intervention of Neoptolemos and the story from the Trojan horse to the destruction of the city. The volume presented here summarizes the results of the first international conference on Quintus Smyrnaeus.

Quintus Claudius, Volume I by Ernst Eckstein is about the adventures of Herodianus on the rocks of Capreae. Excerpt: "It was in Rome itself, in the sublime solemnity of the Colosseum, among the ruins of the palaces of the Caesars and crumbling pillars of the temples of the gods, that the first dreamy outlines rose before my fancy of the figures here offered to the reader's contemplation. Each visit added strength to the mysterious impulse, to conjure up from their tombs these shadows of a mighty past, and afterward, at home, where the throng of impressions sorted and grouped themselves at leisure, my impulse ripened to fulfillment."

Quintus of Smyrna’s Posthomerica (3rd century C.E.) is of great literary value to the field of Greek epic. It is a stylistic imitation of Homer and recounts what Iliad and Odyssey have left untold of the Trojan War. Tine Scheijnen offers the first linear study of this still little-known poem. Progressing from book 1 to 14, she focusses on key issues such as Homeric similes and characterization of heroes (especially Achilles and his son Neoptolemus). Ideologically, Quintus engages in a critical way with Homer, but possibly also Vergil, Triphiodorus and tragedy. Scheijnen’s work can be read as a thorough introduction to Quintus’ Posthomerica, while also offering new insights into Homer reception, the conception of heroes and heroism in Greek epic.

Quintus Smyrnaeus' Posthomerica (3rd century C.E.), the 14 book Greek epic on the Trojan War, is a text which has traditionally been overlooked in the main canon of Classical authors, and in fact until only recently has been largely ignored as a literary work. This book, the first monograph in English on the poem since 1904, examines the Posthomerica’s close relationship with the Homeric epics, with a focus on the originality and Late Antique interpretative bias of Quintus in his readings and emulation of Homer. The study deals specifically with three separate aspects of poetics, and their Homeric intertextuality: ecphrasis, gnomai, and similes, and their role within the poem’s narrative strategies, themes, and aims.