Quiller's survival skills have never been so crucial as in this eerily prophetic mission torn from today's headlines. Standing over the smoldering corpse of the agent he had sworn to protect, Quiller vows to make things right. The killer's trail leads to a terrorist network targeting the next American flight out of Berlin. But what are their plans for this flight, and why are they trying so desperately to get their hands on a nuclear weapon…?

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.

On a final assignment for his top-secret British intelligence agency, Quiller infiltrates the mafiya of post-Cold War Russia in order to take out a brilliant crime lord, a mission for which he must also rescue a prisoner from a gulag prison.

Stephen Mulhall presents a series of multiply interrelated essays which together make up an original study of selfhood (subjectivity or personal identity). He explores a variety of articulations (in philosophy, psychoanalysis, and the arts) of the idea that selfhood is best conceived as a matter of non-self-identity—for example, as becoming or self-overcoming, or as being what one is not and not being what one is, or as being doubled or divided. Philosophically, a sustained reading of the work of Nietzsche and Sartre is central to this project, although Wittgenstein is also fundamental to its concerns; Mulhall therefore draws extensively on texts usually associated with 'Continental' philosophical traditions, primarily in order to test the feasibility of a non-elitist form of moral perfectionism. Within the arts, several essays examine various films whose themes intersect with those of the philosophers under study (including Hollywood melodramas, recent spy movies such as the Bourne trilogy and the latest incarnation of James Bond, and David Fincher's 'Benjamin Button'); Wagner's Ring cycle is a recurrent concern; and the novels of Kingsley Amis, J. M. Coetzee and David Foster Wallace are also prominent.

Quiller is sent deep into the mysterious jungles of Phnom Penh, Cambodia, to protect the future of Cambodia as United Nations-supervised elections approach and there is a fear that Pol Pot will return the Khmer Rouge to power. Reprint.

Spans much of the modern history of the mystery genre and, along with it, many of the political and social changes from the classical detective story, the World War II spy story, and the Cold War thriller to postmodern detective and spy adventures and the politics of terrorism and confrontation of the twenty-first century.