Quevedo and the grotesque / J. Iffland.-v.2

Francisco de Quevedo (1580–1645), one of the greatest poets of the Spanish Golden Age, was the master of the baroque style known as “conceptismo,” a complex form of expression fueled by elaborate conceits and constant wordplay as well as ethical and philosophical concerns. Although scattered translations of his works have appeared in English, there is currently no comprehensive collection available that samples each of the genres in which Quevedo excelled—metaphysical and moral poetry, grave elegies and moving epitaphs, amorous sonnets and melancholic psalms, playful romances and profane burlesques. In this book, Christopher Johnson gathers together a generous selection of forty-six poems—in bilingual Spanish-English format on facing pages—that highlights the range of Quevedo’s technical expertise and themes. Johnson’s ingenious solutions to rendering the difficult seventeenth-century Spanish into poetic English will be invaluable to students and scholars of European history, literature, and translation, as well as poetry lovers wishing to reacquaint themselves with an old master.

This book explores the Spanish elite’s fixation on social and racial ‘passing’ and ‘passers’, as represented in a wide range of texts. It examines literary and non-literary works produced in the sixteenth and seventeenth centuries that express the dominant Spaniards’ anxiety that socially mobile lowborns, Conversos (converted Jews), and Moriscos (converted Muslims) could impersonate and pass for ‘pure’ Christians like themselves. Ultimately, this book argues that while conspicuous sociocultural and ethnic difference was certainly perturbing and unsettling, in some ways it was not as threatening to the dominant Spanish identity as the potential discovery of the arbitrariness that separated them from the undesirables of society – and therefore the recognition of fundamental sameness. This fascinating and accessible work will appeal to students of Hispanic studies, European history, cultural studies, Spanish literature and Spanish history.

Francisco de Quevedo (Madrid, 1580-1645) was well known for his rich and dynamic style, achieved through an ingenious and complex manipulation of language. Yet he was also a consistent and systematic thinker, with moral philosophy, broadly understood, lying at the core of his numerous and varied works. Quevedo lived in an age of transition, with the Humanist tradition on the wane, and his writing expresses the characteristic uncertainty of a moment of cultural transition. In this book Alfonso Rey surveys Quevedo's ideas in such diverse fields as ethics, politics, religion and literature, ideas which hitherto have received little attention. New information is also provided towards a reconstruction of the cultural evolution of Europe in the years prior to the Enlightenment, and thus the scope of the book extends beyond that of Spanish literature.

This study of the poetry of Francisco de Quevedo combines a stylistic analysis with a philosophical interpretation in the broad sense.