An introduction to world history through a series of vignettes and historical profiles from various periods.

When looking at how trauma is represented in literature and the arts, we tend to focus on the weight of the past. In this book, Amir Eshel suggests that this retrospective gaze has trapped us in a search for reason in the madness of the twentieth century’s catastrophes at the expense of literature’s prospective vision. Considering several key literary works, Eshel argues in Futurity that by grappling with watershed events of modernity, these works display a future-centric engagement with the past that opens up the present to new political, cultural, and ethical possibilities—what he calls futurity. Bringing together postwar German, Israeli, and Anglo-American literature, Eshel traces a shared trajectory of futurity in world literature. He begins by examining German works of fiction and the debates they spurred over the future character of Germany’s public sphere. Turning to literary works by Jewish-Israeli writers as they revisit Israel’s political birth, he shows how these stories inspired a powerful reconsideration of Israel’s identity. Eshel then discusses post-1989 literature—from Ian McEwan’s Black Dogs to J. M. Coetzee’s Diary of a Bad Year—revealing how these books turn to events like World War II and the Iraq War not simply to make sense of the past but to contemplate the political and intellectual horizon that emerged after 1989. Bringing to light how reflections on the past create tools for the future, Futurity reminds us of the numerous possibilities literature holds for grappling with the challenges of both today and tomorrow.

In this small but thoughtful volume, a respected theologian and churchman opens up a theological approach to history.

The ancients live on today in the lasting monumentsthey left behind: How they, with their limited technology, could have built them is a mystery that modern science has yet to unravel. In their world the boundries of the unknown were thinner and more easily crossed.

The theory of knowledge, or epistemology, is often regarded as a dry topic that bears little relation to actual knowledge practices. Knowledge: The Philosophical Quest in History addresses this perception by showing the roots, developments and prospects of modern epistemology from its beginnings in the nineteenth century to the present day. Beginning with an introduction to the central questions and problems in theory of knowledge, Steve Fuller goes on to demonstrate that contemporary epistemology is enriched by its interdisciplinarity, analysing keys areas including: Epistemology as Cognitive Economics Epistemology as Divine Psychology Epistemology as Philosophy of Science Epistemology as Sociology of Science Epistemology and Postmodernism. A wide-ranging and historically-informed assessment of the ways in which man has - and continues to - pursue, question, contest, expand and shape knowledge, this book is essential reading anyone in the Humanities and Social Sciences interested in the history and practical application of epistemology.

This revised second edition maintains the objective of the first edition; that is to tell the story of some well-known archaeologists & some remarkable excavations as well as to throw light on some of the ways in which the founders of the discipline unearthed early civilizations, probed the origins of humankind, etc.

For centuries the figure of Satan has incarnated absolute evil. Existing alongside more intellectualist interpretations of evil, Satan has figured largely in Christian practices, devotions, popular notions of the afterlife, and fears of retribution in the beyond. Satan remains an influential reality today in many Christian traditions and in popular culture. But how should Satan be understood today? "The Quest for the Historical Satan excavates cultural, historical, religious, and morally constructed productions of evil within Christianity, from myth and legend to the complex ways people conjure the embodiment of evil and harm. De La Torre and Hernßndez are engaging sleuths as they carefully examine Satan's conception and his presence in modernity and through the ages. The wrestle with the spiritual notions of Good and Evil and justice and injustice.-Cheryl A. Kirk-Duggan Professor of Theology and Women's Studies Shaw University Divinity School