Following the 2011 wave of revolutions and protests in North Africa and the Middle East, new discussions of individual freedoms emerged in the Moroccan public sphere and human rights discourse. A segment of the public rallied aroundthe removal of an article in the penal code that punished sexual relationships outside of marriage. As debates about personal and sexual freedom gain momentum, love and intimacy remain complex issues. Moving between public, clandestine, and online interactions, Quest for Love in Central Morocco explores the creative ways young women navigate desire and morality. Menin’s ethnography focuses on young women living in the low-income and lower-middle-class neighborhoods of a midsized town in Central Morocco, far from the overt influence of city life. At the heart of the book, Menin draws upon ideas of "love" as an ethnographic object and source of theoretical examination. She demonstrates that love, as a complex cultural and historical phenomenon shaped through intersecting socioeconomic and political developments, is crucial in thinking through generational changes and debates in Morocco and the Middle East more broadly. What is at stake in the quest for love, she argues, is not only the making of gendered selves and intimate relationships, but also the imagination of social and political life.

Issues of sexuality in the Middle East and North Africa have served as a lightning rod for international discussions surrounding the treatment of those who identify as LGBTQ+, sexual and reproductive health, and the prevention of sexual violence. While a growing body of scholarship and internal advocacy groups have brought more open dialogue within the MENA region, this volume is the first of its kind to provide critical insights and academic analysis into a broad range of complex and controversial issues dealing with sexuality. Spanning a wide array of countries from Algeria to Yemen, Egypt, Iran, Israel, and Saudi Arabia, this volume offers a comprehensive regional analysis that transcends the limitations of country-specific studies. Three themes guide the volume’s organization: sexual politics, rights, and movements; gender and sexual minorities; and sexual health, identity, and well-being. Drawing on contemporary scholarship and ethnographic fieldwork, the contributors shed light on the ways in which sexuality is a foundational element of national and regional discourses, serves as a political tool for marking difference, and has the possibility to enlighten, restrict, liberate, or oppress the millions of individuals living in the region. This volume is essential reading for scholars, policymakers, and anyone interested in the intersection of sexuality, identity, and human rights in the Middle East and North Africa.

This book traces the history of the romance through the turbulent history of twentieth-century women in France. It offers a compelling analysis not only of the mass-market or popular romance, but also of the bestselling 'middlebrow' novel, and of 'literary' romances by authors including Colette, Simone de Beauvoir, and their contemporary successors.

The Routledge History of Modern Latin American Migration offers a systematic account of population movements to and from the region over the last 150 years, spanning from the massive transoceanic migration of the 1870s to contemporary intraregional and transnational movements. The volume introduces the migratory trajectories of Latin American populations as a complex web of transnational movements linking origin, transit, and receiving countries. It showcases the historical mobility dynamics of different national groups including Arab, Asian, African, European, and indigenous migration and their divergent international trajectories within existing migration systems in the Western Hemisphere, including South America, the Caribbean, and Mesoamerica. The contributors explore some of the main causes for migration, including wars, economic dislocation, social immobility, environmental degradation, repression, and violence. Multiple case studies address critical contemporary topics such as the Venezuelan exodus, Central American migrant caravans, environmental migration, indigenous and gender migration, migrant religiosity, transit and return migration, urban labor markets, internal displacement, the nexus between organized crime and forced migration, the role of social media and new communication technologies, and the effects of the COVID-19 pandemic on movement. These essays provide a comprehensive map of the historical evolution of migration in Latin America and contribute to define future challenges in migration studies in the region. This book will be of interest to scholars of Latin American and Migration Studies in the disciplines of history, sociology, political science, anthropology, and geography.

This book offers a unique exploration of the work of Paul Bowles and Ibrahim Alkoni, and reveals timely insights into the relationship between the West and the Orient, showing that they both challenge and extend existing scholarship on this subject. It builds on a sound theoretical platform which serves as a solid foundation for the analysis of the overarching theme. Theories of place, representation, Orientalism and post-colonialism are discussed in depth and are linked to the deconstruction and analysis of the selected literary texts, helping the reader understand the various quests and motivations of the protagonists of the works of Bowles and Alkoni. The first part of the book looks into the work of Bowles, and is based on the fact that many of the author’s texts revolve around the theme of encounters between Western and Eastern cultures. It adopts a specific focus on the North African space, which is depicted from a number of different points of view, including native, French, English and American perspectives. The second section discusses the work of the Libyan author Ibrahim Alkoni as a quester for a Mythical Identity. It introduces the reader to the significance of the desert in both classical and modern Arabic literature and its place in the Arabic cultural imaginary. This work is highly original both in its approach and subject matter, and, as such, it constitutes a valuable contribution to the study of comparative literature, Arabic literature, and postcolonial magical realist literature. It offers many original insights into this little studied field, demonstrating a successful venture into less-trodden terrain.

With the end of the Soviet Union in 1991, a major turning point in all former Soviet republics, Central Asian and Caucasian countries began to reflect on their history and identities. As a consequence of their opening up to the global exchange of ideas, various strains of Islam and trends in Islamic thought have nourished the Islamic revival that had already started in the context of glasnost and perestroika--from Turkey, Iran, the Arabian Peninsula, and from the Indian subcontinent; the four regions with strong ties to Central Asian and Caucasian Islam in the years before Soviet occupation. Bayram Balci seeks to analyse how these new Islamic influences have reached local societies and how they have interacted with pre-existing religious belief and practice. Combining exceptional erudition with rare first-hand research, Balci's book provides a sophisticated account of both the internal dynamics and external influences in the evolution of Islam in the region.

"Is it possible for European and North American men to depict Africa in a wise and non-exploitative manner?" That's the question Cooper (African studies, U. of Cape Town, South Africa) hopes to answer in her examination of writers whose opposition to racism, the nature of imperialism, and gender stereotypes make them "weary" inheritors of the legacy of Joseph Conrad. She borrows concepts and methodologies from Said's Orientalism, postmodernism, Lacanian theory, and other areas, rejecting a unified approach. Among the works she examines are Adam Thorpe's Pieces of Light, Alan Hollinghurst's The Swimming-Pool Library, Patrick Roscoe's The Lost Oasis, William Boyd's Brazzaville Beach, Will Self's Great Apes, Peter Hoeg' s The Woman and the Ape, and Lawrence Norfolk's The Pope's Rhinoceros. Annotation copyrighted by Book News, Inc., Portland, OR