Queer(y)ing Bodily Norms in Francophone Culture questions how a wide selection of restrictive norms come to bear on the body, through a close analysis of a range of texts, media and genres originating from across the francophone world and spanning the twentieth and twenty-first centuries. Each essay troubles hegemonic, monolithic perceptions and portrayals of racial, class, gender, sexual and/or national identity, rethinking bodily norms as portrayed in literature, film, theatre and digital media specifically from a queer and querying perspective. The volume thus takes «queer(y)ing» as its guiding methodology, an approach to culture and society which examines, questions and challenges normativity in all of its guises. The term «queer(y)ing» retains the celebratory tone of the term «queer» but avoids appropriating the identity of the LGBTQ+ community, a group which remains marginalized to this day. The publication reveals that evaluating the bodily norms depicted in francophone culture through a queer and querying lens allows us to fragment often oppressive and restrictive norms, and ultimately transform them.

In a highly original and interdisciplinary work bridging French and Francophone studies, cultural studies, media studies, and gender and sexuality studies, Luis Navarro-Ayala examines the transnational queer body as a physical and symbolic entity intrinsically connected with space. Through a transcultural and intersectional approach to bodily representations, socioeconomic conditions, and postcolonial politics, Navarro-Ayala analyzes queerness and Frenchness in narratives from North Africa and Latin America, revealing that Frenchness is coded to represent a sexually deviant “Other.” France and Frenchness, in two distinct regions of the global South, have come to represent an imagined queer space enabling sexual exploration, even in social conditions that would have otherwise prevented queer agency.

Queering the Medieval Mediterranean analyzes the forgotten exchange of sexualities that was brought forth through the Mediterranean and its bordering landmasses. It highlights the importance of queerness and sexuality developed on the Mediterranean trade routes.

Queering the Popular Pitch is a new collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -performance, cultural production and sexual meaning - situating music within the broader patterns of culture that it both mirrors and actively reproduces. The collection is divided into four parts: queering borders queer spaces hidden histories queer thoughts, mixed media. Queering the Popular Pitch will appeal to students of popular music, Gay and Lesbian studies. With case studies and essays by leading popular music scholars it provides insightful discourse in a growing field of musicological research.

Current planning practices have largely neglected the needs of the Lesbian, Gay, Bisexual, and Transgender (LGBT) community for safe urban spaces in which to live, work, and play. This volume fills the gap in the literature on the planning and development of queer spaces, and highlights some of the resistance within the planning profession to incorporate gay and lesbian concerns into the planning mainstream. Planning lags behind other disciplines concerned with queer urban issues. In contrast, the field of geography has developed a rich sub-specialty in the geographies of sex and gender that examines spaces and the variety of non-heteronormative populations that inhabit them. This volume brings together both planners and geographers with experience in planning to examine some of the fundamental assumptions of urban planning as they relate to the LGBT community. The first few chapters are substantial revisions and expansions of earlier influential work on planning for non-conformist populations and the preservation of LGBT neighborhoods. Subsequent chapters comprise original contributions that draw on the rich literature from queer theory, planning theory and the geography of sexualities to explore the ways that nonconformist populations struggle with heteronormative expectations embedded in planning theory and procedures. These chapters consider the intersection of planning and a range of populations including transgendered and gender variant individuals. Subsequent chapters examine the ways that variations in the scale of urban and regional governance influence local politics around the implementation of more equitable policies at the city level. In addition, several chapters critically examine the implications of using the tolerance component of Richard Florida's "creative cities" arguments. The final section consists of two chapters that explore the ways that urban planning regimes have been used to regulate sexually-oriented businesses and the way this regulation of sexualized spaces has implications on the heteronormativity of plans and planners. In summary, these chapters interrogate planning practice and pose questions for academic and professional planners about the ways that the queer community and its needs for spaces have shifted. What do those changes mean for the practice of planning 40 years after the North American Stonewall rebellion and looking forward to the next 40 years? To what extent does existing planning practice constrain the evolution of queer communities or seek to commercialize such spaces to the benefit of large developers and the detriment of marginalized members of the community? How might planning practice change to provide more direct support to the evolution of queer people and the spaces in which they live? This volume draws on these insights as well as the experiences of the various authors to lay out possible future directions for the field of planning to create truly inclusive urban areas.

Featuring contributions from a range of significant voices in the field, this volume renews the conversation around what it means to speak of the 'queer' in the context of architecture, and offers a fresh take on the methodological and epistemological challenges this poses to the discipline of architectural theory. Architecture as a discipline, a profession and an applied practice is always subordinate to its own conceptual framework, which is one of orderliness. It refers to buildings, but also to infrastructures of thought and knowledge, to conventions and taxonomies, to structures of governance, hierarchies of power and systems of administration. How, then, can one look at queering architectural discourse when the very term 'queer', celebrated for its elusive nature, resists and attacks such order? Divided into four subsections, the essays in this anthology each pursue a distinct line of inquiry – methods, practices, spaces and pedagogies – in order to help particularize the proposed queering of architecture. They demonstrate the paradoxical nature of the endeavour from a diverse range of perspectives – from questions of mapping queer theory in architecture; to issues of queer architectural archives, or lack thereof; to non-Western challenges to the very term queer, and the queering of basic assumptions across affiliated disciplines. Queering Architecture not only provides a bold challenge to the normative methods employed in architectural discourse but also addresses how establishing 'queer' methodologies is a paradox in itself.

This collection of essays exposes points of queerness, marginality, and alterity present in the German canon and introduces further deviation from traditional German literature and culture in the form of openly lesbian and gay works. It provides new queer analyses of texts by canonical authors such as Goethe, Schiller. Thomas and Klaus Mann, Ingeborg Bachmann, Christa Reinig, and Elfriede Jelinek, yet discusses works that have seldom received scholarly attention. It also breaks the traditional limitation of Germanistik to the study of literature by including essays on aspects of German culture such as music, film, fine art and art history, and politics and law.