Examines how Jewish women have used poetry to challenge their historical limitations while rewriting their potential futures. Jewish women have had a fraught relationship with history, struggling for inclusion while resisting their limited role as (re)producers of the future. In Queer Expectations, Zohar Weiman-Kelman shows how Jewish women writers turned to poetry to write new histories, developing “queer expectancy” as a conceptual tool for understanding how literary texts can both invoke and resist what came before. Bringing together Jewish women’s poetry from the late nineteenth century, the interwar period, and the 1970s and 1980s, Weiman-Kelman takes readers on a boundary-crossing journey through works in English, Yiddish, and Hebrew, setting up encounters between writers of different generations, locations, and languages. Queer Expectationshighlights genealogical lines of continuity drawn by authors as diverse as Emma Lazarus, Kadya Molodowsky, Leah Goldberg, Anna Margolin, Irena Klepfisz, and Adrienne Rich. These poets push back against heteronormative imperatives of biological reproduction and inheritance, opting instead for connections that twist traditional models of gender and history. Looking backward in queer ways enables new histories to emerge, intervenes in a troubled present, and gives hope for unexpected futures. “Queer Expectations is one of the most original books of literary analysis, historiography, biography, and queer theory I have ever read. Its originality and its methodology turn traditional ways of thinking about literary analysis, questions of influence, and what queer can mean upside down. This is a truly brilliant book.” — Evelyn Torton Beck, editor of Nice Jewish Girls: A Lesbian Anthology, Revised and Updated Edition

From picket line to picket fence - what does it mean to be gay in the era of same-sex marriage and equal rights? More than four decades after the start of the gay liberation movement, lesbians and gay men can legally marry, adopt children, and enjoy the same rights and respect as heterosexuals ... or can they? In Straight Expectations, Julie Bindel, an out lesbian since 1977, tracks the changes in the gay community in the last forty years and asks whether fighting for the right to marry has achieved genuine progress. Drawing on extensive original research into changing attitudes towards sexuality, as well as interviews with scientists examining the 'gay gene', gay liberation pioneers, religious figures and key players of all political persuasions, Straight Expectations asks: - Is sexual orientation learned or latent? - Do lesbians and gay men have anything in common? - Have we now reached a stage where the 'only gay in the village' mentality no longer has any place in society?

The popular LGBTQ advice columnist and writer presents a memoir-in-essays chronicling his journey growing up as a queer, mixed-race kid in America's heartland to becoming the "Chicano Carrie Bradshaw" of his generation.

Beyond the Black Door is a young adult dark fantasy about unlocking the mysteries around and within us—no matter the cost... Everyone has a soul. Some are beautiful gardens, others are frightening dungeons. Soulwalkers—like Kamai and her mother—can journey into other people's souls while they sleep. But no matter where Kamai visits, she sees the black door. It follows her into every soul, and her mother has told her to never, ever open it. When Kamai touches the door, it is warm and beating, like it has a pulse. When she puts her ear to it, she hears her own name whispered from the other side. And when tragedy strikes, Kamai does the unthinkable: she opens the door. A.M. Strickland's imaginative dark fantasy features court intrigue and romance, a main character coming to terms with her asexuality, and twists and turns as a seductive mystery unfolds that endangers not just Kamai's own soul, but the entire kingdom ... An Imprint Book “I couldn’t put down this deliciously dark dream of a fantasy.” —New York Times bestselling author Lisa Maxwell “A dark delight, gorgeously written and as twisty and enigmatic as a labyrinth at twilight. I wanted to stay lost in its pages forever, wandering ever deeper into the maze of Strickland’s beguiling, intricately imagined world.” —Margaret Rogerson, New York Times bestselling author of An Enchantment of Ravens

A powerful story of sexual awakening during the Second World War, My Queer War, from the noted memoirist and critic James Lord tells the story of a young man's exposure to the terrors, dislocations, and horrors of armed conflict. In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the U.S. Army. His career in the armed forces takes him to Nevada, California, Boston, England, and, eventually, France and Germany, where he witnesses firsthand the ravages of total war on Europe's land and on its people. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, and in a moment of great rashness makes the acquaintance of the world's most renowned artist, who will show him the way to a new life. My Queer War is a rich and moving record of one man's maturation in the crucible of the greatest war the world has known. If his war is queer, it is because each man's experience is strange in its own way. His is a story of universal significance and appeal, told by a wry and eloquent observer of the world and of himself.

This comprehensive reader brings a social science perspective to an area hitherto dominated by the humanities. Through it, students will be able to follow the story of how sociology has come to engage with gay and lesbian issues from the 1950s to the present, from the earliest research on the underground worlds of gay men to the emergence of queer theory in the 1990s. Bringing together classic readings and the best work of younger scholars from all parts of the English-speaking world, this reader will be an invaluable resource for courses at undergraduate and graduate level in all areas of the sociology of sexuality and gender. Separate sections cover: * theoretical foundations * identity and community making * institutions and social change * challenges for the future. Each section begins with an introduction giving readers a brief guide to the readings in that section, contextualises them and relates them to one another and the book ends with an afterword by Ken Plummer summing up the present state of play and looking forward to the future.

Rabid readers. Backbiting authors. A romance convention from hell. Shaw Aldrich and his best friend, boyfriend, and partner, North McKinney, are doing great, thanks. The aftermath of their search for the Slasher has finally settled down. Their private investigation agency is thriving. And after years of missed opportunities, they’re finally together. Sure, work might be taking up every spare minute, and their time together as a couple might have evaporated—but that’s normal, right? When an author asks for their help investigating threats against a gay romance convention, Shaw sees an opportunity to shake up their routine and maybe have some fun. But the convention isn’t what he expects. Between the rabid fans and the backbiting authors, the death threats—which seem totally baseless—are the least of North and Shaw’s worries. Until, that is, a bestselling author is poisoned in the middle of a panel. Then Shaw and North must race against the clock to find the killer before he (or she) escapes—and before the convention ends. But romance authors are more complicated than either North or Shaw expects, and a treacherous web knits the suspects together. Shaw and North will have to unravel a skein of lies and half-truths to uncover the killer. It doesn’t help that, on top of everything else, Shaw just wants to find his next favorite book—and, if it isn’t asking too much, have sex with North at least one more time in his current incarnation.